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Rififi (French: Du rififi chez les hommes) is a 1955 French crime film adaptation of Auguste Le Breton's novel of the same name. Directed by American blacklisted filmmaker Jules Dassin, the film stars Jean Servais as the aging gangster Tony "le Stéphanois", Carl Möhner as Jo "le Suédois", Robert Manuel as Mario Farrati, and Jules Dassin as César "le Milanais". The foursome band together to commit an almost impossible theft, the burglary of an exclusive jewelry shop in the Rue de la Paix. The centerpiece of the film is an intricate half-hour heist scene depicting the crime in detail, shot in near silence, without dialogue or music. The fictional burglary has been mimicked by criminals in actual crimes around the world.

After he was blacklisted from Hollywood, Dassin found work in France where he was asked to direct Rififi. Despite his distaste for parts of the original novel, Dassin agreed to direct the film. He shot Rififi while working with a low budget, without a star cast, and with the production staff working for low wages. (Full article...)

Veerapandiya Kattabomman (transl. Kattabomman, the Brave Warrior) is a 1959 Indian Tamil-language historical war film produced and directed by B. R. Panthulu. The film stars Sivaji Ganesan, Gemini Ganesan, Padmini, S. Varalakshmi, and Ragini, with V. K. Ramasamy and Javar Seetharaman in supporting roles. Its soundtrack and score were composed by G. Ramanathan.

The film is loosely based on the story of Veerapandiya Kattabomman, the 18th-century South Indian king who rebelled against the East India Company. It was an adaptation of the play of the same name by Sakthi T. K. Krishnasamy which featured Sivaji Ganesan as the title character, and premiered in August 1957. Principal photography began in October the same year, and took place mainly in Jaipur and Madras (now Chennai) until late 1958. This was the first full-length Tamil film released in Technicolor. (Full article...)

Missamma (transl. Miss Madam) is a 1955 Indian Telugu-language romantic comedy film directed by L. V. Prasad. It was produced by Nagi Reddi and Chakrapani on Vijaya Productions banner. The film stars N. T. Rama Rao, Savitri, Akkineni Nageswara Rao and Jamuna. The script was adapted by Chakrapani from Rabindranath Maitra's Bengali play Manmoyee Girls' School. It revolves around two unemployed people — M. T. Rao and Mary — who pose as a married couple to obtain employment in a high school founded by Gopalam, a zamindar. As Rao and Mary fall in love, Gopalam's nephew A. K. Raju learns that Mary is Gopalam's missing elder daughter Mahalakshmi; she is unaware of her true identity.

Production began in early 1954 with P. Bhanumathi cast as the female lead, though she would eventually be replaced by Savitri. The film was simultaneously shot in Tamil as Missiamma, with an altered cast. Principal photography ended that December; filming was delayed because of Bhanumathi's exit after filming a few reels, and the difficulty of managing two casts simultaneously. C. P. Jambulingam and Kalyanam edited the film; Marcus Bartley was the cinematographer, and S. Rajeswara Rao composed the music. Missamma focused on social issues such as unemployment, corruption, and freedom of worship. (Full article...)

Devadasu is a 1953 Indian romance film directed by Vedantam Raghavayya and produced by D. L. Narayana for Vinodha Pictures. Chakrapani wrote the script based on Sarat Chandra Chattopadhyay's novel, Devdas. C. R. Subbaraman composed the film's music. The film was edited by P. V. Narayanan, while B. S. Ranga provided the cinematography.

The film focuses on Devadasu and Parvati, who have been in love since childhood. Devadas' father rejects the proposal from Parvati's family. Parvati's father forces her to marry a middle-aged zamindar. Unable to cope with his failure to win Parvati, Devadas turns into a drunkard, and the rest of the film is about whether or not Devadas meets Parvati again. (Full article...)

The Hideous Sun Demon (sometimes billed as The Sun Demon, or in the UK as Blood on His Lips) is a 1958 American science fiction horror film produced, directed, and cowritten by Robert Clarke, who also starred in the title role. It also stars Patricia Manning, Nan Peterson, Patrick Whyte, and Fred La Porta. The film focuses on a scientist (portrayed by Clarke) who is exposed to a radioactive isotope and soon finds out that it comes with horrifying consequences.

The film was inspired by the financial success of The Astounding She-Monster, in which Clarke had starred earlier that year. The crew was made up of University of Southern California film students, while the cast consisted of unknowns in addition to Clarke's family and friends. Shooting took place under three different cinematographers over 12 consecutive weekends. Originally budgeted at $10,000, the film ended up costing $50,000. Distributed by Clarke's own Pacific International Pictures, The Hideous Sun Demon premiered on August 29, 1958 as part of a double bill with Roger Corman's Attack of the Crab Monsters. The film received mostly negative reviews upon its release, but has since become a cult film and has been referenced and parodied many times. An unauthorized sequel, the 1965 short film Wrath of the Sun Demon, was produced by Donald F. Glut. Two redubbed versions of the original film have been released: the comedic Hideous Sun Demon: Special Edition and What's Up, Hideous Sun Demon (also known as Revenge of the Sun Demon), the latter of which was produced with Clarke's permission. (Full article...)

Pathala Bhairavi (transl. The Goddess of the Netherworld) is a 1951 Indian fantasy film directed by K. V. Reddy who co-wrote the film with Pingali and Kamalakara Kameswara Rao. Shot simultaneously in Telugu and Tamil languages, the film was produced by Nagi Reddi and Chakrapani under the banner Vijaya Productions. It stars N. T. Rama Rao, S. V. Ranga Rao and K. Malathi. The film focuses on a gardener's son who has to amass wealth equal to that of the king of Ujjain to marry his daughter and a sorcerer who has to sacrifice an intelligent and brave young man to Goddess Pathala Bhairavi to gain access to a statuette which can grant any wish.

Pathala Bhairavi is based on Kasi Majilee Kathalu, written by Madhira Subbanna Deekshitulu, though it was also partially inspired by the story of Aladdin. As the film is shot as a bilingual, production lasted for a whole year starting from 5 February 1950 until 8 February 1951. Ghantasala composed the film's music and Marcus Bartley served as the cinematographer. The film was edited by the duo C. P. Jambulingam and M. S. Money, while Madhavapeddi Gokhale and Kaladhar were the film's art directors. (Full article...)

Darah dan Doa ([daˈrah ˈdan doˈa]; Indonesian for Blood and Prayer, released internationally as The Long March) is a 1950 Indonesian war film directed and produced by Usmar Ismail, telling the story of the Siliwangi Division and its leader Captain Sudarto on a march to West Java. Following Ismail's Dutch-produced Tjitra (1949), Darah dan Doa is often cited as the first 'Indonesian' film, and the film's first day of shooting – 30 March – is celebrated in Indonesia as National Film Day.

Produced on a budget of 350,000 rupiah and intended to be screened at the Cannes Film Festival, financial difficulties led production of Darah dan Doa to almost stop before the director received financial backing. After raising controversy for its subject material, the film underwent censorship and was finally released to commercial failure. Retrospective analysis has, however, been more positive, and Ismail has been dubbed the "father of Indonesian film". (Full article...)

Nadodi Mannan (transl. The Vagabond and the King) is a 1958 Indian Tamil-language action adventure film directed by M. G. Ramachandran in his debut as a filmmaker. He stars in dual roles alongside P. Bhanumathi, M. N. Rajam and B. Saroja Devi. P. S. Veerappa, M. N. Nambiar, M. G. Chakrapani, T. K. Balachandran and Chandrababu play supporting roles. The film revolves around a king being replaced by a look-alike after getting abducted on the eve of his coronation. The look-alike begins to implement social and economic reforms to uplift the poor which irks the kingdom's high priest, who has kidnapped the very person the look-alike resembles. The rest of the film shows how the look-alike saves the man he impersonates and defeats the high priest.

Made on a budget of ₹1.8 million, Ramachandran co-produced the film with Chakrapani and R. M. Veerappan under the banner of Em.Gee.Yar Pictures. C. Kuppusami, K. Srinivasan, and P. Neelakantan were in charge of the screenplay. Kannadasan and Ravindar undertook the responsibility of writing the dialogues. The cinematography was handled by G. K. Ramu while K. Perumal and C. P. Jambulingam did the editing. S. M. Subbaiah Naidu and N. S. Balakrishnan composed the film's soundtrack and score. Songs from the soundtrack like "Thoongathey Thambi Thoongathey", "Thadukkathey", "Summa Kedandha", and "Senthamizhe" became popular hits. (Full article...)

Warning from Space (Japanese: 宇宙人東京に現わる, Hepburn: Uchūjin Tōkyō ni arawaru, lit. 'Spacemen Appear in Tokyo') is a Japanese tokusatsu science fiction film directed by Koji Shima. Produced and distributed by Daiei Film, it was the first Japanese science fiction film to be produced in color and predates Daiei's most iconic tokusatsu characters, Gamera and Daimajin. In the film's plot, starfish-like aliens disguised as humans travel to Earth to warn of the imminent collision of a rogue planet and Earth. As the planet rapidly accelerates toward Earth, a nuclear device is created at the last minute and destroys the approaching world.

The film was one of many early Japanese monster films quickly produced after the success of Toho's Godzilla in 1954. After release, the film was met with negative reviews, with critics calling it "bizarre" and accusing it of using science fiction clichés. Warning from Space influenced many other Japanese science fiction films, such as Gorath. The film, along with other 1950s tokusatsu science fiction films, influenced director Stanley Kubrick, who would later direct 2001: A Space Odyssey. (Full article...)

The Long, Hot Summer is a 1958 American drama film starring Paul Newman, Joanne Woodward, Anthony Franciosa, and Orson Welles. It was directed by Martin Ritt, with a screenplay by Irving Ravetch and Harriet Frank Jr., based in part on three works by William Faulkner: the 1931 novella "Spotted Horses", the 1939 short story "Barn Burning" and the 1940 novel The Hamlet. The title is taken from The Hamlet, as Book Three is called "The Long Summer". Some characters, as well as tone, were inspired by Tennessee Williams' 1955 play, Cat on a Hot Tin Roof, a film adaptation of which– also starring Newman – was released 5 months later.

The plot follows the conflicts of the Varner family after ambitious drifter Ben Quick (Newman) arrives in their small Mississippi town. Will Varner (Welles), the patriarch, has doubts about his son, Jody (Franciosa) and sees Ben as a better choice to inherit his position. Will tries to push Ben and his daughter Clara (Woodward) into marriage. (Full article...)

La strada (The Road) is a 1954 Italian drama film directed by Federico Fellini and co-written by Fellini, Tullio Pinelli and Ennio Flaiano. The film tells the story of Gelsomina, a simple-minded young woman (Giulietta Masina) bought from her mother by Zampanò (Anthony Quinn), a brutish strongman who takes her with him on the road.

Fellini described La Strada as "a complete catalogue of my entire mythological world, a dangerous representation of my identity that was undertaken with no precedent whatsoever". As a result, the film demanded more time and effort than any of his other works, before or later. The development process was long and tortuous; there were problems during production, including insecure financial backing, problematic casting, and numerous delays. Finally, just before the production completed shooting, Fellini suffered a nervous breakdown that required medical treatment so that he could complete principal photography. Initial critical reaction was harsh, and the film's screening at the Venice Film Festival was the occasion of a bitter controversy that escalated into a public brawl between Fellini's supporters and detractors. (Full article...)

Ashes and Diamonds (Polish: Popiół i diament) is a 1958 Polish drama film directed by Andrzej Wajda, based on the 1948 novel by Polish writer Jerzy Andrzejewski. Starring Zbigniew Cybulski and Ewa Krzyżewska, it completed Wajda's war films trilogy, following A Generation (1954) and Kanal (1956). The action of Ashes and Diamonds takes place in 1945, shortly after World War II. The main protagonist of the film, former Home Army soldier Maciek Chełmicki, is acting in the anti-Communist underground. Maciek receives an order to kill Szczuka, the local secretary of the Polish Workers' Party. Over time, Chełmicki increasingly doubts if his task is worth doing.

Ashes and Diamonds, although based on the novel that directly supported the postwar Communist system in Poland, was subtly modified in comparison with the source material. Wajda sympathized with the soldiers of the Polish independence underground; thus, he devoted most of the attention to Chełmicki. During the three-month development of Ashes and Diamonds, the director made drastic changes to the baseline scenario, thanks to his assistant director Janusz Morgenstern, as well as Cybulski, who played the leading role. The film received permission from the authorities to be distributed only through Andrzejewski's intercession. The film did not receive permission to be screened at the main competition at the Cannes Film Festival. However, Ashes and Diamonds appeared at the Venice Film Festival, where it won the FIPRESCI award. (Full article...)

Parasakthi (/pərɑːsəkθi/ transl. The Supreme Goddess) is a 1952 Indian Tamil-language satirical drama film directed by Krishnan–Panju and written by M. Karunanidhi. The film stars Sivaji Ganesan, S. V. Sahasranamam, S. S. Rajendran, Sriranjani Jr., and Pandari Bai. It is the cinematic acting debut of Ganesan and Rajendran. Based on Pavalar Balasundaram's play of the same name, Parasakthi narrates the misfortunes that befall the members of a Tamil family during World War II.

Central Studios initially planned on creating a film based on the Parasakthi play and T. S. Natarajan's play En Thangai; however, the idea was dropped after Natarajan objected. The film rights of Parasakthi were later bought by P. A. Perumal of National Pictures, with the patronage of A. V. Meiyappan. The soundtrack was composed by R. Sudarsanam, cinematography was handled by S. Maruti Rao, and Panju edited the film under the alias "Panjabi". Filming began in mid-1950, but took over two years to complete. (Full article...)

Godzilla (Japanese: ゴジラ, Hepburn: Gojira) is a 1954 Japanese epic kaiju film directed and co-written by Ishirō Honda, with special effects by Eiji Tsuburaya. Produced and distributed by Toho Co., Ltd., it is the first film in the Godzilla franchise. The film stars Akira Takarada, Momoko Kōchi, Akihiko Hirata, and Takashi Shimura, with Haruo Nakajima and Katsumi Tezuka as Godzilla. In the film, Japan's authorities deal with the sudden appearance of a giant monster, whose attacks trigger fears of nuclear holocaust in post-war Japan.

Godzilla entered production after a Japanese-Indonesian co-production collapsed. Tsuburaya originally proposed for a giant octopus before the filmmakers decided on a dinosaur-inspired creature. Godzilla pioneered a form of special effects called suitmation in which a stunt performer wearing a suit interacts with miniature sets. Principal photography ran 51 days, and special effects photography ran 71 days. (Full article...)

Tenali Ramakrishna is a 1956 Indian Telugu-language political drama film produced and directed by B. S. Ranga based on Ch. Venkataramaiah's stage play of the same name. Produced for the banner Vikram Productions, it stars NTR, Akkineni Nageswara Rao, V. Nagayya, Bhanumathi Ramakrishna, and Jamuna in key roles. Ranga handled the cinematography with his brother-in-law B. N. Haridas while P. G. Mohan edited the film. Viswanathan–Ramamoorthy composed the soundtrack and background score.

Written by Samudrala Sr., Kannadasan, and Murugadasa, Tenali Ramakrishna narrates the story of the 14th century Telugu and Sanskrit poet and scholar of the same name, and his life as a member of the court of Krishnadevaraya, the king of the Vijayanagara Empire. Using his wits, Ramakrishna manages to save Krishnadevaraya from attacks by the Bahmani Sultanate, which tries to invade the Vijayanagara Empire. The rest of the film is about Ramakrishna's efforts to save Krishnadevaraya from courtesan Krishnasani, a spy, and convincing Emperor Babur against extending support to the Sultanate in the war. (Full article...)