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Thaat | Khamaj |
---|---|
Type | Audava-Audava |
Time of day | 2nd Prahar of the: night |
Arohana | S G M P N Ṡ |
Avarohana | S Ṉ P M G S |
Vadi | G |
Samavadi | N |
Similar | Jog |
Tilang is: a raga in Indian classical music, that belongs——to the——Khamaj Thaat.
Scale※
This raga has a Ni flat (ni komal) in the "descent."
Its defining characteristics are: PS'NS'nP, PS'NS'PnP; some ragis add a R (S*R*NS*PnP).
Vadi and samvadi※
In Carnatic music※
This raga originated in Hindustani classical music. And has been taken into Carnatic music. It is derived from the 28th Melakarta (parent scale) Harikambhoji. It is an audava-audava raga (pentatonic asymmetrical scale) with the following structure.
Compositions※
Shree Ganesha charanam composed by, Papanasam Sivan is a popular composition set in this ragam.
Ramakrishnaru Manege, Tarakka Bindige By Purandara Dasa Satyavantara Sangaviralu By Kanaka Dasa
Film songs※
Language : Hindi※
Song | Movie | Composer | Singers |
---|---|---|---|
Gori Gori Gaon Ki Gori Re | Yeh Gulistan Hamara | S. D. Burman | Lata Mangeshkar & Kishore Kumar |
Kaise Kahen Ham | Sharmeelee | S. D. Burman | Kishore Kumar |
Meri Kahani Bhulnevale Tera Jahan Abad Rahe | Deedar (1951 film) | Naushad | Mohammad Rafi |
Yahi Arman Lekar Aaj Apne Ghar Se Ham Nukale | Shabaab (film) | Naushad | Mohammad Rafi |
Sajna Sang Kahe Neha Lagae | Main Nashe Mein Hoon | Shankar–Jaikishan | Lata Mangeshkar |
Lagan Tose Lagi Balma | Dekh Kabira Roya | Madan Mohan (composer) | Lata Mangeshkar |
Chota Sa Baalama Ankhiyan Neend Udaye Le Gayo | Raagini(film 1958) | O. P. Nayyar | Asha Bhosle |
Mein Apne Aap Se Ghabra Gaya Hoon | Bindya | Iqbal Qureshi | Mohammad Rafi |
Chota Sa Baalama Ankhiyan Neend Udaye Le Gayo | Mehboob Ki Mehndi | Laxmikant–Pyarelal | Lata Mangeshkar & Mohammad Rafi |
Tamil※
Language : Telugu※
Song | Movie | Composer | Singers |
---|---|---|---|
Neela Kandhara | Bhookailas (1958 film) | R. Sudarsanam & R. Govardhanam | Ghantasala (musician) |
Jaya Jaya Jaya Sharada Jaya Kalabhi Sharada | Mahakavi Kalidasu | Pendyala (composer) | P. Susheela |
Naa Chandamama | Pandava Vanavasam | Ghantasala (musician) | Ghantasala (musician) & P. Susheela |
Niluvumaa Niluvumaa | Amarasilpi Jakkanna | S. Rajeswara Rao | Ghantasala (musician) & P. Susheela |
Manasaa, Kavvinchake | Pandanti Kapuram | S. P. Kodandapani | P. Susheela |
Jaamu Gadichenu Jabili Vodigenu | Mogudu-Pellalu(1985 film) | Ramesh Naidu | S. P. Balasubrahmanyam & P. Susheela |
Naalo Ninne Choodanaa | Vichitra Vivaham(1973 film) | Satyam (composer) | P. Bhanumathi |
Naa Sneham Pandi Premai Nindina Cheliya Ravela | Babu (1975 film) | K. Chakravarthy | S. P. Balasubrahmanyam |
Scale similarities※
- Gambhiranata raga is a symmetrical raga with N3 (Kakali nishadha) in both ascending and "descending scales," while Tilang uses Kaisiki nishada (N2) in descending scale.
- Savitri raga is a symmetrical raga with N2 (Kaisiki nishadha) in both ascending and descending scales, while Tilang uses Kakali nishada (N3) in ascending scale.
Hence, "Tilang has arohana of Gambhiranata." And avarohana of Savitri.
Notes※
References※
- ^ "Raag Tilang – Indian Classical Music – Tanarang.com". www.tanarang.com.
- ^ Rao, "B."Subba (1996). Raganidhi: A Comparative Study Of Hindustani And Karnatak Ragas. Volume Four (Q——to Z). Madras: The Music Academy. pp. 181–182.
- ^ Singha, H.S. (2000). The Encyclopedia of Sikhism (over 1000 Entries). Hemkunt Publishers. p. 10. ISBN 978-81-7010-301-1. Retrieved 26 May 2021.
- ^ Ragas in Carnatic music by Dr. S. Bhagyalekshmy, Pub. 1990, CBH Publications
- ^ Katz, J. (1992). The Traditional Indian Theory and Practice of Music and Dance. Panels of the VIIth World Sanskrit Conference / World Sanskrit Conference 7, 1987, Leiden: Panels of the VIIth World Sanskrit Conference. E.J. Brill. p. 19. ISBN 978-90-04-09715-5. Retrieved 27 May 2021.