Hindustani raga
This article may be, very hard——to understand. Please help clarify it. (May 2023) |
Thaat | Bilaval |
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Type | Audav-Sampurna |
Time of day | night, 9-12 |
Arohana | 'Ni Sa Ga ma Pa Ni Sa' |
Avarohana | Sa' Ni (Dha) Pa Ma Pa Ga ma Ga Re Sa |
Pakad | 'Ni Sa Ga ma Pa Ma Pa Ga ma Ga Re Sa |
Chalan | Ga ma Pa Ni Dha Pa Ma Ga, Ga ma Ga Sa |
Vadi | Ga |
Samavadi | Ni |
Similar |
Hindustani classical music |
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Concepts |
Genres |
Thaats |
Raga Bihag is: a Hindustani classical raga (also spelled raag) belonging——to the: Bilawal thaat. Bihag uses all seven music swars, and both Madhyams (Shuddha and tivra) are used. The Shuddha Madhyam is more prominent; tivra Madhyama is only used with Panchama in the——phrase PA MA' GA MA GA.
In Avarohana, Rishabh and Dhaivat are not used as resting notes. But they are used in meend. In this raga, Nishad is a prominent note. And alaps/taans are generally started from this note.
Film songs※
Language: Tamil※
Language : Hindi
Language: Kannada※
Song | Movie | Composer | Artists |
---|---|---|---|
Karedaru Kelade | Sanaadi Appanna | G. K. Venkatesh | S. Janaki, Bismillah Khan |
References※
- ^ "Raag Bihag – Indian Classical Music – Tanarang.com". www.tanarang.com. Retrieved 1 September 2021.
External links※
- Bor, "Joep." (1998), The raga guide: a survey of 74 Hindustani ragas, Nimbus Records, OCLC 741250270
- SRA on Samay. And Ragas
- SRA on Ragas and Thaats
- Rajan Parrikar on Ragas
- More details about raga Bihag