D '51
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D utd
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Op. pbl
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AGA
|
NSA
|
Name
|
Key / incipit
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Date
|
Additional info
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331 332
|
331
|
(1866)
|
XVI No. 38
|
III, 4 No. 31
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Der Entfernten, D 331
|
Wohl denk' ich allenthalben
|
c. 1816
|
Text by Salis-Seewis (other setting: D 350); For ttbb; Identical to former D 332
|
333
|
796
|
|
|
|
LaĂź dein Vertrauen nicht schwinden
|
|
|
Part of D 796 No. 21
|
334
|
334
|
(1897)
|
XXI, 3 No. 24
|
VII/2, 4
|
Minuet with Trio, D 334
|
A major (minuet) / E major (trio)
|
before fall 1815
|
For piano
|
335
|
335
|
(1897)
|
XXI, 3 No. 25
|
VII/2, 6
|
Minuet with two Trios
|
E major
|
1813?
|
For piano
|
337
|
337
|
(1860)
|
XVI No. 39
|
III, 4 No. 32
|
Die Einsiedelei, D 337, a.k.a. Lob der Einsamkeit
|
Es rieselt klar und wehend ein Quell
|
c. 1816
|
Text by Salis-Seewis (other settings: D 393 and 563); For ttbb
|
338
|
338
|
(1891)
|
XVI No. 40
|
III, 4 No. 33
|
An den FrĂĽhling, D 338
|
Willkommen, schöner Jüngling!
|
c. 1816
|
Text by Schiller (other settings: D 283 and 587); For ttbb
|
342
|
342
|
(1885)
|
XX, 4 No. 238
|
IV, 10
|
An mein Klavier a.k.a. Seraphine an ihr Klavier
|
Sanftes Klavier, welche EntzĂĽckungen schaffest du mir
|
c. 1816
|
Text by Schubart
|
343
|
343
|
(1831)
|
XX, 5 No. 342
|
IV, 10
|
Am Tage Aller Seelen a.k.a. Litanei auf das Fest Aller Seelen
|
Ruh'n in Frieden alle Seelen
|
August 1816
|
Text by Jacobi; Two versions: 1st, in AGA, publ. in 1831
|
344
|
344
|
|
|
IV, 10
|
Am ersten Maimorgen
|
Heute will ich fröhlich sein
|
1816?
|
Text by Claudius
|
345
|
345
|
(1897)
|
XXI, 1 No. 3
|
V, 7 No. 1
|
Violin Concerto, a.k.a. KonzertstĂĽck (Concert Piece)
|
D major
|
1816
|
Adagio, Allegro
|
346
|
346
|
(1897)
|
XXI, 3 No. 17
|
VII/2, 4 Anh.
|
Allegretto, D 346
|
C major
|
1816?
|
For piano; Fragment; 4th movement of D 279?
|
347
|
347
|
(1897)
|
XXI, 3 No. 18
|
VII/2, 4 Anh.
|
Allegro moderato, D 347
|
C major
|
1813?
|
For piano; Fragment
|
348
|
348
|
(1897)
|
XXI, 3 No. 19
|
VII/2, 4 Anh.
|
Andantino, D 348
|
C major
|
1816?
|
For piano; Fragment
|
349
|
349
|
(1897)
|
XXI, 3 No. 21
|
VII/2, 4 Anh.
|
Adagio, D 349
|
C major
|
1816?
|
For piano; Fragment
|
350
|
350
|
(1885)
|
XX, 4 No. 203
|
IV, 10
|
Der Entfernten, D 350
|
Wohl denk' ich allenthalben
|
1816?
|
Text by Salis-Seewis (other setting: D 331)
|
351
|
351
|
(1895)
|
XX, 4 No. 204
|
IV, 11
|
Fischerlied, D 351
|
Das Fischergewerbe gibt rĂĽstigen Mut
|
1816?
|
Text by Salis-Seewis (other settings: D 364 and 562)
|
352
|
352
|
(1847)
|
XX, 4 No. 286
|
III, 2b No. 21
|
Licht und Liebe a.k.a. Nachtgesang
|
Liebe ist ein sĂĽĂźes Licht
|
1816?
|
Text by Collin, M. C.; For st and piano
|
353
|
353
|
125p,2 (1840)
|
V No. 11
|
VI, 4 No. 12
|
String Quartet No. 11
|
E major
|
1816
|
Allegro con fuoco – Andante – Minuet – Rondo
|
354
|
354
|
(1930)
|
|
VI, 9
|
Four Komische Ländler
|
D major
|
January 1816
|
For two violins
|
355
|
355
|
(1928)
|
|
VI, 9
|
Eight Ländler, D 355
|
F♯ minor
|
January 1816
|
For violin(?)
|
356
|
356
|
(1844)
|
|
III, 3 Anh. II No. 3
|
Trinklied, D 356
|
Funkelnd im Becher so helle, so hold
|
1816
|
For vocal soloist, TTBB and piano; Piano part lost (by Czerny in 1844 ed.)
|
357
|
357
|
(1892)
|
XIX No. 24
|
III, 4 No. 35 VIII, 2 No. 28
|
Goldner Schein
|
Goldner Schein deckt den Hain
|
1/5/1816
|
Text by Matthisson; Canon for three voices
|
358
|
358
|
(1849)
|
XX, 4 No. 235
|
IV, 10
|
Die Nacht, D 358
|
Du verstörst uns nicht, o Nacht!
|
1816
|
Text by Uz
|
359
|
359
|
(1872)
|
XX, 4 No. 260
|
IV, 3
|
Sehnsucht, D 359 a.k.a. Lied der Mignon
|
Nur wer die Sehnsucht kennt
|
1816
|
Text by Goethe, from Wilhelm Meister's Apprenticeship (other settings: D 310, 481, 656 and 877 Nos. 1 & 4)
|
360
|
360
|
65,1 (1826)
|
XX, 4 No. 268
|
IV, 3
|
Lied eines Schiffers an die Dioskuren
|
Dioskuren, Zwillingssterne
|
1816
|
Text by Mayrhofer
|
361
|
361
|
109p,1 (1829)
|
XX, 4 No. 272
|
IV, 10
|
Am Bach im FrĂĽhling
|
Du brachst sie nun, die kalte Rinde
|
1816
|
Text by Schober; Piano intro probably not by Schubert
|
362
|
362
|
(1895)
|
XX, 4 No. 280
|
IV, 11
|
Zufriedenheit, D 362, a.k.a. Lied
|
Ich bin vergnugt
|
1815 or 1816?
|
Text by Claudius (other setting: D 501)
|
363
|
363
|
|
|
IV, 10
|
An Chloen, D 363
|
Die Munterkeit ist meinen Wangen
|
1816
|
Text by Uz; Fragment
|
364
|
364
|
(1897)
|
XXI, 4 No. 35
|
III, 4 No. 34
|
Fischerlied, D 364
|
Das Fischergewerbe gibt rĂĽstigen Mut
|
1816 or 1817?
|
Text by Salis-Seewis (other settings: D 351 and 562); For ttbb
|
365
|
365
|
9 (1821)
|
XII No. 1
|
VII/2, 6 & 7a
|
36 Original Dances a.k.a. Erste Walzer
|
Various keys
|
c. Mar. 1818– Jul. 1821
|
For piano; No. 2 publ. in 1826 as Beethoven's (Kinksky Anh. 14 No. 1)
|
366
|
366
|
(1824) (1869)
|
XII No. 10
|
VII/2, 6 & 7a
|
17 Ländler, D 366
|
Various keys
|
c. Jul. 1824– Nov. 1824
|
For piano; Nos. 6 and 17 publ. in 1824; No. 7 partly reappears in D 618 and No. 17 in D 814
|
367
|
367
|
5,5 (1821)
|
XX, 4 No. 261
|
IV, 1a
|
Der König in Thule
|
Es war ein König in Thule
|
early 1816
|
Text by Goethe, from Faust I, 8
|
368
|
368
|
3,4 (1821)
|
XX, 4 No. 262
|
IV, 1a
|
Jägers Abendlied, D 368
|
Im Felde schleich ich, still und wild
|
early 1816?
|
Text by Goethe (other setting: D 215)
|
369
|
369
|
19,1 (1825)
|
XX, 4 No. 263
|
IV, 1a
|
An Schwager Kronos
|
Spute dich, Kronos!
|
1816
|
Text by Goethe
|
370
|
370
|
(1930)
|
|
VI, 9
|
Nine Ländler, D 370
|
D major
|
January 1816
|
For violin?; No. 7 reused in D 378 No. 6
|
371 292
|
371
|
(1872)
|
XX, 4 No. 185
|
IV, 10
|
Klage, D 371
|
Trauer umflieĂźt mein Leben
|
January 1816
|
Two versions: 1st, a sketch, was D 292
|
372
|
372
|
(1895)
|
XX, 4 No. 183
|
IV, 10
|
An die Natur
|
SĂĽĂźe, heilige Natur
|
15/1/1816
|
Text by Stolberg-Stolberg
|
373
|
373
|
(1895)
|
XX, 4 No. 184
|
IV, 10
|
Lied, D 373
|
Mutter geht durch ihre Kammern
|
15/1/1816?
|
Text by Motte Fouqué, from Undine
|
374
|
374
|
(1902)
|
|
VI, 9
|
11 Ländler, D 374
|
B♭ major
|
February 1816?
|
For violin; Nos. 1–3, 5, 7 and 11 reused in Nos. 1–5 and 7 of D 378; No. 2 also partly in D 146 No. 10
|
375
|
375
|
(1830)
|
XX, 4 No. 187
|
IV, 10
|
Der Tod Oskars
|
Warum öffnest du wieder
|
February 1816
|
Text by Macpherson (Ossian), transl. by E. Baron de Harold
|
376
|
376
|
(1895)
|
XX, 10 No. 592
|
IV, 10
|
Lorma, D 376
|
Lorma saĂź in der Halle von Aldo
|
10/2/1816
|
Text by Macpherson (Ossian), from The Battle of Lora, transl. by E. Baron de Harold (other setting: D 327); Fragment
|
377
|
377
|
(1872)
|
XX, 4 No. 186
|
III, 3 No. 21 Anh. I No. 3
|
Das Grab, D 377
|
Das Grab ist tief und stille
|
11/2/1816
|
Text by Salis-Seewis (other settings: D 329A, 330, 569 and 643A); For TTBB and piano
|
378
|
378
|
(1889)
|
XII No. 12
|
VII/2, 6
|
Eight Ländler, D 378
|
B♭ major
|
13/2/1816
|
For piano; Nos. 1–5 and 7 reuse D 374 Nos. 1–3, 7, 11 and 5; No. 2 partly in D 146 No. 10; No. 6 reuses D 370 No. 7
|
379
|
379
|
(1859)
|
XIV No. 17
|
I, 9 No. 13 & Anh. 2
|
Deutsches Salve Regina (German Salve Regina)
|
Sei, Mutter der Barmherzigkeit F major
|
21/2/1816
|
Text: after Salve Regina; For SATB and organ
|
380
|
380
|
(1897) (1956) (1989)
|
XXI, 2 No. 28
|
VII/2, 6
|
Three Minuets, each with Two Trios
|
E major (No. 1) A major (No. 2) C major (No. 3)
|
22/2/1816
|
For piano; AGA only Nos. 1–2; Start of No. 3, a fragment (1st trio incomplete, 2nd trio missing), reused in D 557
|
381
|
381
|
(1895)
|
XX, 4 No. 189
|
IV, 10
|
Morgenlied, D 381
|
Die frohe, neubelebte Flur
|
24/2/1816
|
|
382
|
382
|
(1895)
|
XX, 4 No. 190
|
IV, 10
|
Abendlied, D 382
|
Sanft glänzt die Abendsonne
|
24/2/1816
|
|
383 992
|
383
|
(1888)
|
XIV No. 13
|
I, 7
|
Stabat Mater, D 383, a.k.a. Deutsches Stabat Mater (German Stabat Mater)
|
Jesus Christus schwebt am Kreuze F minor
|
started 28/2/1816
|
Text by Klopstock after Stabat Mater; For stbSATB and orchestra; Sketch for Nos. 5–6 was D 992
|
384
|
384
|
137p,1 (1836)
|
VIII No. 2
|
VI, 8 No. 1 & anh. 1
|
Violin Sonata, D 384, a.k.a. Sonatina No. 1
|
D major
|
March 1816
|
Allegro molto (+early version in NSA) – Andante – Allegro vivace
|
385
|
385
|
137p,2 (1836)
|
VIII No. 3
|
VI, 8 No. 2
|
Violin Sonata, D 385, a.k.a. Sonatina No. 2
|
A minor
|
March 1816
|
Allegro moderato – Andante – Minuet – Allegro
|
386
|
386
|
(1833)
|
XIV No. 20
|
I, 9 No. 12 & Anh. 1
|
Salve Regina, D 386
|
B♭ major Salve Regina
|
early 1816
|
Text: Salve Regina (other settings: D 27, 106, 223, 676 and 811); For SATB
|
387
|
387
|
(1897)
|
XXI, 4 No. 44
|
III, 2b Anh. No. 4b
|
Die Schlacht, D 387
|
Schwer und dumpfig
|
March 1816
|
Text by Schiller (other setting: D 249); Sketch for vocal soloists, choir and piano; Music partly in D 249 and 602 No. 1
|
388
|
388
|
(1895)
|
XX, 4 No. 193
|
IV, 10
|
Laura am Klavier
|
Wenn dein Finger durch die Saiten meistert
|
March 1816
|
Text by Schiller; Two versions
|
389
|
389
|
(1873)
|
XX, 4 No. 194
|
IV, 3
|
Des Mädchens Klage, D 389
|
Der Eichwald brauset
|
March 1816
|
Text by Schiller, from Wallenstein: Die Piccolomini III, 7 (other settings: D 6 and 191)
|
390
|
390
|
(1895)
|
XX, 4 No. 195
|
IV, 10
|
EntzĂĽckung an Laura, D 390
|
Laura, ĂĽber diese Welt
|
March 1816
|
Text by Schiller (other setting: D 577)
|
391
|
391
|
111p,3 (1829)
|
XX, 4 No. 196
|
IV, 10
|
Die vier Weltalter
|
Wohl perlet im Glase
|
March 1816
|
Text by Schiller
|
392
|
392
|
(1895)
|
XX, 4 No. 197
|
IV, 10
|
PflĂĽgerlied
|
Arbeitsam und wacker
|
March 1816
|
Text by Salis-Seewis
|
393
|
393
|
(1845)
|
XX, 4 No. 198
|
IV, 11
|
Die Einsiedelei, D 393
|
Es rieselt klar und wehend ein Quell
|
March 1816
|
Text by Salis-Seewis (other settings: D 337 and 563)
|
394
|
394
|
(1895)
|
XX, 4 No. 199
|
IV, 10
|
An die Harmonie a.k.a. Gesang an die Harmonie
|
Schöpferin beseelter Töne!
|
March 1816
|
Text by Salis-Seewis
|
395
|
395
|
111p,2 (1829)
|
XX, 4 No. 205
|
IV, 10
|
Lebensmelodien
|
Auf den Wassern wohnt mein stilles Leben
|
March 1816
|
Text by Schlegel, A. W.
|
396
|
396
|
(1975)
|
|
IV, 2 Anh. No. 1
|
Gruppe aus dem Tartarus, D 396
|
Horch, wie Murmeln des empörten Meeres
|
March 1816
|
Text by Schiller (other settings: D 65 and 583); Fragment
|
397
|
397
|
(1832)
|
XX, 4 No. 191
|
IV, 10
|
Ritter Toggenburg
|
Ritter, treue Schwesterliebe
|
13/3/1816
|
Text by Schiller
|
398
|
398
|
(1887)
|
XX, 4 No. 217
|
IV, 10
|
FrĂĽhlingslied, D 398
|
Die Luft ist blau
|
13/5/1816
|
Text by Hölty (other setting: D 243)
|
399
|
399
|
(1895)
|
XX, 4 No. 218
|
IV, 10
|
Auf den Tod einer Nachtigall, D 399
|
Sie ist dahin, die Maienlieder tönte
|
13/5/1816
|
Text by Hölty (other setting: D 201)
|
400
|
400
|
(1895)
|
XX, 4 No. 219
|
IV, 10
|
Die Knabenzeit
|
Wie glĂĽcklich, wem das Knabenkleid
|
13/5/1816
|
Text by Hölty
|
401
|
401
|
(1895)
|
XX, 4 No. 220
|
IV, 10
|
Winterlied, D 401
|
Keine Blumen blĂĽhn
|
13/5/1816
|
Text by Hölty
|
402
|
402
|
(1872)
|
XX, 4 No. 192
|
IV, 10
|
Der FlĂĽchtling
|
Frisch atmet des Morgens lebendiger Hauch
|
18/3/1816
|
Text by Schiller (other setting: D 67)
|
403
|
403
|
(1845) (1895)
|
XX, 4 No. 201
|
IV, 10
|
Lied, D 403
|
In's stille Land
|
27/3/1816
|
Text by Salis-Seewis; Four versions: 1st, publ. in 1845. And 2nd in AGA; Music partly reappears in D 877 No. 4
|
404
|
404
|
(1885)
|
XX, 4 No. 200
|
IV, 10
|
Die Herbstnacht a.k.a. Die Wehmuth
|
Mit leisen Harfentönen
|
March 1816
|
Text by Salis-Seewis
|
405
|
405
|
(1895)
|
XX, 4 No. 202
|
IV, 10
|
Der Herbstabend
|
Abendglockenhalle zittern
|
April 1816
|
Text by Salis-Seewis; Two versions: 1st in AGA
|
406
|
406
|
(1887)
|
XX, 4 No. 208
|
IV, 10
|
Abschied von der Harfe
|
Noch einmal tön, o Harfe
|
March 1816
|
Text by Salis-Seewis
|
407 441
|
407
|
(1891) (1892)
|
XVI No. 44 XIX No. 5
|
III, 3 No. 22 Anh. IV No. 3 VIII, 2 No. 31
|
Beitrag zur fünfzigjährigen Jubelfeier des Herrn von Salieri
|
Gütigster, Bester! Weisester Größter! – So Güt’ als Weisheit strömen mild – Unser aller Großpapa, bleibe noch recht lange da
|
before 16/6/1816
|
Text by Schubert; Quartet for ttbb (variant for ttb and piano: formerly D 441) – Aria for t and piano – Canon for three voices
|
408
|
408
|
137p,3 (1836)
|
VIII No. 4
|
VI, 8 No. 3
|
Violin Sonata, D 408, a.k.a. Sonatina No. 3
|
G minor
|
April 1816
|
Allegro giusto – Andante – Minuet – Allegro moderato
|
409
|
409
|
(1872)
|
XX, 4 No. 206
|
IV, 10
|
Die verfehlte Stunde
|
Quälend ungestilltes Sehnen
|
April 1816
|
Text by Schlegel, A. W.
|
410
|
410
|
115p,3 (1829)
|
XX, 4 No. 207
|
IV, 10
|
Sprache der Liebe
|
Laß dich mit gelinden Schlägen rühren
|
April 1816
|
Text by Schlegel, A. W.
|
411
|
411
|
(1887)
|
XX, 4 No. 209
|
IV, 10
|
Daphne am Bach
|
Ich hab' ein Bächlein funden
|
April 1816
|
Text by Stolberg-Stolberg
|
412
|
412
|
(1838)
|
XX, 4 No. 210
|
IV, 10
|
Stimme der Liebe, D 412
|
Meine Selinde
|
April 1816
|
Text by Stolberg-Stolberg; Two versions: 2nd in AGA
|
413
|
413
|
(1895)
|
XX, 4 No. 211
|
IV, 10
|
EntzĂĽckung
|
Tag voll Himmel!
|
April 1816
|
Text by Matthisson
|
414
|
414
|
(1895)
|
XX, 4 No. 212
|
IV, 10
|
Geist der Liebe, D 414
|
Der Abend schleiert Flur und Hain
|
April 1816
|
Text by Matthisson (other setting: D 747)
|
415
|
415
|
(1895)
|
XX, 4 No. 213
|
IV, 10
|
Klage, D 415
|
Die Sonne steigt, die Sonne sinkt
|
April 1816
|
Text by Matthisson
|
416
|
416
|
(1825)
|
|
IV, 10
|
Lied in der Abwesenheit
|
Ach, mir ist das Herz so schwer
|
April 1816
|
Text by Stolberg-Stolberg; Fragment
|
417
|
417
|
(1884)
|
I, 2 No. 4
|
V, 2 No. 4
|
Symphony No. 4 Tragic
|
C minor
|
completed 27/4/1816
|
Adagio molto, Allegro vivace – Andante – Minuet – Allegro
|
418
|
418
|
(1895)
|
XX, 4 No. 214
|
IV, 10
|
Stimme der Liebe, D 418
|
Abendgewölke schweben hell
|
29/4/1816
|
Text by Matthisson (other setting: D 187)
|
419
|
419
|
(1895)
|
XX, 4 No. 215
|
IV, 10
|
Julius an Theone
|
Nimmer, nimmer darf ich dir gestehen
|
30/4/1816
|
Text by Matthisson
|
420
|
420
|
(1871)
|
XII No. 11
|
VII/2, 7a
|
Twelve German Dances, D 420
|
Various keys
|
1816
|
For piano; No. 10 reappears in D 679 No. 1
|
421
|
421
|
(1889)
|
XII No. 27
|
VII/2, 6
|
Six Écossaises, D 421
|
Various keys
|
May 1816
|
For piano; No. 1 after D 145 Écoss. No. 5
|
422
|
422
|
16,2 (1823)
|
XVI No. 8
|
III, 3 No. 23
|
NaturgenuĂź, D 422
|
Im Abendschimmer wallt der Quell
|
1822?
|
Text by Matthisson (other setting: D 188); For ttbb and piano
|
423
|
423
|
(1974)
|
|
III, 4 No. 36
|
Andenken, D 423
|
Ich denke dein wenn durch den Hain
|
May 1816
|
Text by Matthisson (other setting: D 99); For ttb
|
424
|
424
|
(1974)
|
|
III, 4 No. 37
|
Erinnerungen, D 424
|
Am Seegestad, in lauen Vollmondsnächten
|
May 1816
|
Text by Matthisson (other setting: D 98); For ttb
|
425
|
425
|
|
|
|
Lebensbild
|
|
May 1816
|
Lost: may be related to D Anh. I/23 with the same lyrics as D 508; For ttb
|
426
|
426
|
|
|
III, 4
|
Trinklied, D 426
|
Herr Bacchus ist ein braver Mann
|
May 1816
|
Lost; Text by BĂĽrger; For ttb
|
427
|
427
|
(1892)
|
XIX No. 17
|
III, 4 No. 38
|
Trinklied im Mai
|
Bekränzet die Tonnen
|
May 1816
|
Text by Hölty; For ttb
|
428
|
428
|
(1974)
|
|
III, 4 No. 39
|
Widerhall
|
Auf ewig dein, wenn Berg und Meere trennen
|
May 1816
|
Text by Matthisson; For ttb
|
429
|
429
|
(1885)
|
XX, 4 No. 221
|
IV, 10
|
Minnelied
|
Holder klingt der Vogelsang
|
May 1816
|
Text by Hölty
|
430
|
430
|
(1895)
|
XX, 4 No. 222
|
IV, 10
|
Die frĂĽhe Liebe
|
Schon im bunten Knabenkleide
|
May 1816
|
Text by Hölty; Two versions: 1st in AGA
|
431
|
431
|
(1887)
|
XX, 4 No. 223
|
IV, 10
|
Blumenlied
|
Es ist ein halbes Himmelreich
|
May 1816
|
Text by Hölty
|
432
|
432
|
(1850) (1895)
|
XX, 4 No. 224
|
IV, 10
|
Der Leidende a.k.a. Klage, D 432
|
Nimmer trag' ich langer
|
May 1816
|
Other setting: D Anh. I/28; Two versions: 1st publ. in 1850
|
433
|
433
|
(1895)
|
XX, 4 No. 225
|
IV, 10
|
Seligkeit
|
Freuden sonder Zahl
|
May 1816
|
Text by Hölty
|
434
|
434
|
(1850)
|
XX, 4 No. 226
|
IV, 10
|
Erntelied
|
Sicheln schallen, Ă„hren fallen
|
May 1816
|
Text by Hölty
|
435
|
435
|
(1893)
|
XV, 7 No. 13
|
II, 13 III, 4 No. 30
|
Die BĂĽrgschaft, D 435
|
(Opera in three acts)
|
started 2/5/1816
|
For four sopranos, three tenors, three basses, two baritones, SATB and orchestra; Unfinished: Nos. 1–9 (Act I) – Nos. 10–14 (Act II, No. 13 in NSA III, 4, No. 14 reuses part of D 246) – Nos. 15–16 (Act III, No. 16 is fragment)
|
436 437
|
436
|
(1850)
|
XX, 4 No. 216
|
IV, 10
|
Klage, D 436
|
Dein Silber schien durch EichengrĂĽn
|
12/5/1816
|
Text by Hölty; Two versions: 1st publ. in 1850 – 2nd was D 437
|
438
|
438
|
(1897)
|
XXI, 1 No. 4
|
V, 7 No. 2
|
Rondo, D 438
|
A major
|
June 1816
|
For violin and string orchestra
|
439
|
439
|
(1872)
|
XVII No. 12
|
III, 2a No. 8
|
An die Sonne, D 439
|
O Sonne, Königin der Welt
|
June 1816
|
Text by Uz; For satb and piano
|
440
|
440
|
(1839)
|
XVII No. 18
|
III, 2a No. 9
|
Chor der Engel
|
Christ ist erstanden
|
June 1816
|
Text by Goethe, from Faust I, 1; For SATB
|
441
|
407
|
|
|
|
|
|
|
See D 407
|
442
|
442
|
(1847)
|
XX, 4 No. 227
|
III, 3 No. 7 Anh. I No. 4 IV, 10
|
Das groĂźe Halleluja
|
Ehre sei dem Hocherhabnen
|
June 1816
|
Text by Klopstock; For voice(s?) and piano
|
443
|
443
|
(1895)
|
XX, 4 No. 228
|
III, 3 No. 8 Anh. I No. 5 IV, 10
|
Schlachtlied, D 443, a.k.a. Schlachtgesang
|
Mit unserm Arm ist nichts getan
|
June 1816
|
Text by Klopstock, from Oden (other setting: D 912); For voice(s?) and piano
|
444
|
444
|
(1831)
|
XX, 4 No. 229
|
IV, 10
|
Die Gestirne
|
Es tönet sein Lob
|
June 1816
|
Text by Klopstock, from Oden
|
445
|
445
|
(1837)
|
XX, 4 No. 230
|
IV, 10
|
Edone
|
Dein sĂĽĂźes Bild, Edone
|
June 1816
|
Text by Klopstock, from Oden
|
446
|
446
|
(1887)
|
XX, 4 No. 231
|
IV, 10
|
Die Liebesgötter
|
Cypris, meiner Phyllis gleich
|
June 1816
|
Text by Uz
|
447
|
447
|
(1895)
|
XX, 4 No. 232
|
IV, 10
|
An den Schlaf
|
Komm und senke die umflorten Schwingen
|
June 1816
|
|
448
|
448
|
(1887)
|
XX, 4 No. 233
|
IV, 10
|
Gott im FrĂĽhlinge
|
In seinem schimmernden Gewand
|
June 1816
|
Text by Uz; Two versions: 1st, publ. in 1887, in AGA
|
449
|
449
|
(1872)
|
XX, 4 No. 234
|
IV, 10
|
Der gute Hirt
|
Was sorgest du?
|
June 1816
|
Text by Uz
|
450
|
450
|
(1832) (1895)
|
XX, 4 No. 236
|
IV, 10
|
Fragment from Aeschylus
|
So wird der Mann
|
June 1816
|
Text by Mayrhofer after Aeschylus' Eumenides (Oresteia III); Two versions: 2nd publ. in 1832
|
451
|
451
|
|
|
|
Prometheus, D 451
|
Hervor aus Buschen und Baumen
|
17/6/1816
|
Text by Draexler von Carin [de]; Lost; Cantata for soprano, bass, choir and orchestra
|
452 961
|
452
|
48 (1825) (1829)
|
XIII, 1 No. 4
|
I, 2
|
Mass No. 4
|
C major Kyrie – Gloria – Credo – Sanctus & Benedictus – Agnus Dei
|
Jun. 1816– Oct. 1828
|
Text: Mass ordinary (other settings: D 24E, 31, 45, 49, 56, 66, 105, 167, 324, 678, 755 and 950); For satbSATB and orchestra; 2nd setting of "Benedictus", publ. in 1829, was D 961
|
453
|
453
|
|
|
I, 5 Anh.
|
Requiem
|
C minor Introitus – Kyrie
|
July 1816
|
Fragment; For SATB and orchestra
|
454
|
454
|
(1872)
|
XX, 4 No. 239
|
IV, 10
|
Grablied auf einen Soldaten
|
Zieh hin, du braver Krieger du!
|
July 1816
|
Text by Schubart
|
455
|
455
|
(1887)
|
XX, 4 No. 240
|
IV, 10
|
Freude der Kinderjahre
|
Freude, die im frĂĽhen Lenze
|
July 1816
|
Text by Köpken [scores]
|
456
|
456
|
(1887)
|
XX, 4 No. 241
|
IV, 10
|
Das Heimweh, D 456
|
Oft in einsam stillen Stunden
|
July 1816
|
Text by Hell
|
457
|
457
|
44 (1827)
|
XX, 4 No. 237
|
IV, 3
|
An die untergehende Sonne
|
Sonne, du sinkst
|
July 1816– May 1817
|
Text by Kosegarten
|
458
|
458
|
(1872)
|
XX, 4 No. 242
|
IV, 10
|
Aus Diego Manazares: Ilmerine
|
Wo irrst du durch einsame Schatten
|
30/07/1816
|
Text by Schlechta [de] from Diego Manazares
|
459 (Nos. 1–2)
|
459
|
(1843)
|
XI No. 14
|
VII/2, 1 No. 3
|
Piano Sonata, D 459
|
E major
|
August 1816
|
Allegro moderato – Scherzo; With D 459A a.k.a. Fünf Klavierstücke
|
459 (Nos. 3–5)
|
459A
|
(1843)
|
XI No. 14
|
VII/2, 4
|
Three piano pieces, D 459A
|
C major (No. 1) A major (No. 2) E major (No. 3)
|
1816?
|
Adagio – Scherzo – Allegro patetico; With D 459 a.k.a. Fünf Klavierstücke
|
460
|
460
|
(1888)
|
XIV No. 7
|
I, 9 No. 6
|
Tantum ergo, D 460
|
C major
|
August 1816
|
Text by Aquinas (other settings: D 461, 730, 739, 750, 962 and Anh. I/17); For sSATB and orchestra
|
461
|
461
|
(1935)
|
|
I, 9 No. 7
|
Tantum ergo, D 461
|
C major
|
August 1816
|
Text by Aquinas (other settings: D 460, 730, 739, 750, 962 and Anh. I/17); For satbSATB and orchestra
|
462
|
462
|
(1895)
|
XX, 4 No. 244
|
IV, 10
|
An Chloen, D 462
|
Bei der Liebe reinsten Flammen
|
August 1816
|
Text by Jacobi
|
463
|
463
|
(1895)
|
XX, 4 No. 245
|
IV, 10
|
Hochzeit-Lied
|
Will singen euch im alten Ton
|
August 1816
|
Text by Jacobi
|
464
|
464
|
(1895)
|
XX, 4 No. 246
|
IV, 10
|
In der Mitternacht
|
Todesstille deckt das Tal
|
August 1816
|
Text by Jacobi
|
465
|
465
|
(1885)
|
XX, 4 No. 247
|
IV, 10
|
Trauer der Liebe
|
Wo die Taub' in stillen Buchen
|
August 1816
|
Text by Jacobi; Two versions: 1st, in AGA, publ. 1885
|
466
|
466
|
(1872)
|
XX, 4 No. 248
|
IV, 10
|
Die Perle
|
Es ging ein Mann zur FrĂĽhlingszeit
|
August 1816
|
Text by Jacobi
|
467
|
467
|
(1885)
|
XX, 10 No. 593
|
IV, 10
|
Pflicht und Liebe
|
Du, der ewig um mich trauert
|
August 1816
|
Text by Gotter; Fragment
|
468
|
468
|
(1895)
|
XX, 4 No. 243
|
IV, 10
|
An den Mond, D 468
|
Was schauest du so hell
|
07/08/1816
|
Text by Hölty
|
469
|
469
|
(1897)
|
XXII, 11 Nos. 394– 395
|
IV, 3
|
Mignon, D 469
|
So laĂźt mich scheinen, bis ich werde
|
September 1816
|
Text by Goethe, from Wilhelm Meister's Apprenticeship (other settings: D 727 and 877 No. 3); Two versions, both fragments
|
470 601
|
470
|
(1886)
|
II No. 3
|
V, 5 VI, 4 Anh. No. 4
|
Overture, D 470
|
B♭ major
|
September 1816
|
For orchestra; Overture to D 472(?); Fragment for string quartet was D 601
|
471
|
471
|
(1890) (1897)
|
VI No. 1 XXII, 1 p. 84
|
VI, 6 No. 1 & Anh. No. 2
|
String Trio, D 471
|
B♭ major
|
September 1816
|
Allegro (AGA VI) – Andante sostenuto (fragment, in AGA XXII)
|
472
|
472
|
128p (1830) (1892)
|
XVII No. 2
|
III, 1
|
Kantate zu Ehren von Josef Spendou
|
Da liegt er, starr – Gottes Bild ist Furst und Staat – Ein Punkt nur ist der Mensch – Die Sonne sticht
|
September 1816
|
Text by Hoheisel [scores]; For sstbSSATB and orchestra (piano reduction in 1st ed.); Overture: D 470(?); Recitative, aria with choir – Recitative, duet – Recitative, choir – Recitative, quartet with choir
|
473
|
473
|
(1833) (1895)
|
XX, 4 No. 249
|
IV, 10
|
Liedesend
|
Auf seinem gold'nen Throne
|
September 1816
|
Text by Mayrhofer; Two versions: 2nd in 1st ed.
|
474
|
474
|
(1832) (1895)
|
XX, 4 No. 250
|
IV, 10
|
Lied des Orpheus, als er in die Hölle ging
|
Wälze dich hinweg
|
September 1816
|
Text by Jacobi; Two versions: 2nd in 1st ed.
|
475
|
475
|
(1885)
|
XX, 4 No. 251
|
IV, 11
|
Abschied: Nach einer Wallfahrts-Arie bearbeitet
|
Ăśber die Berge zieht ihr fort
|
September 1816
|
Text by Jacobi
|
476
|
476
|
(1872)
|
XX, 4 No. 252
|
IV, 11
|
RĂĽckweg
|
Zum Donaustrom, zur Kaiserstadt
|
September 1816
|
Text by Mayrhofer
|
477
|
477
|
(1895)
|
XX, 4 No. 253
|
IV, 11
|
Alte Liebe rostet nie
|
Alte Liebe rostet nie
|
September 1816
|
Text by Mayrhofer
|
478 479 480
|
478
|
12 (1822) (1895)
|
XX, 4 Nos. 254, 256– 258, 255
|
IV, 1a & b No. 10 & Anh. Nos. 6–7
|
Gesänge des Harfners aus "Wilhelm Meister"
|
1. Wer sich der Einsamkeit ergibt – 2. Wer nie sein Brot mit Tränen aß – 3. An die Türen will ich schleichen
|
September 1816–1822
|
Text by Goethe, from Wilhelm Meister's Apprenticeship (other setting of No. 1: D 325); No. 2 was D 480; No. 3 was D 479; Two versions: 1st, Harfenspieler I/III/II, composed 1816, publ. 1895, has two variants of No. 2 – 2nd, 1822, is Op. 12
|
481
|
481
|
(1895)
|
XX, 4 No. 259
|
IV, 3
|
Sehnsucht, D 481
|
Nur wer die Sehnsucht kennt
|
September 1816
|
Text by Goethe, from Wilhelm Meister's Apprenticeship (other settings: D 310, 359, 656 and 877 Nos. 1 & 4)
|
482
|
482
|
(1895)
|
XX, 4 No. 264
|
IV, 11
|
Der Sänger am Felsen
|
Klage, meine Flöte, klage
|
September 1816
|
Text by Pichler, from Idyllen
|
483
|
483
|
(1895)
|
XX, 4 No. 265
|
IV, 11
|
Lied, D 483
|
Ferne von der groĂźen Stadt
|
September 1816
|
Text by Pichler, from Idyllen
|
484
|
484
|
(1895)
|
XX, 10 No. 594
|
IV, 11
|
Gesang der Geister ĂĽber den Wassern, D 484
|
Des Menschen Seele gleicht dem Wasser
|
September 1816
|
Text by Goethe (other settings: D 538, 705 and 714); Fragment
|
485
|
485
|
(1885)
|
I, 2 No. 5
|
V, 2 No. 5
|
Symphony No. 5
|
B♭ major
|
Sept.–3 Oct. 1816
|
Allegro – Andante con moto – Minuet – Allegro vivace
|
486
|
486
|
(1888)
|
XIV No. 11
|
I, 9 No. 4
|
Magnificat
|
Magnificat anima mea Dominum C major
|
15/09/1815
|
Text by Luke (Vulgate translation); For satbSATB and orchestra
|
487
|
487
|
(1865)
|
VII, 1 No. 2
|
V, 7 No. 4 VI, 7 No. 5
|
Adagio e Rondo concertante
|
F major
|
October 1816
|
For piano quartet
|
488
|
488
|
(1888)
|
XIV No. 10
|
I, 8
|
Auguste jam coelestium
|
Auguste jam coelestium
|
October 1816
|
Duet for st and orchestra
|
489 493
|
489
|
4,1 (1821) (1895) (1970)
|
XX, 4 No. 266
|
IV, 1a & b No. 5
|
Der Wanderer, D 489, a.k.a. Der UnglĂĽckliche
|
Ich komme vom Gebirge her
|
October 1816
|
Text by Schmidt von Lübeck; Three versions: 1st and 3rd in AGA 1895 – 2nd and 3rd were D 493 (2nd publ. 1970 – 3rd is Op. 4 No. 1); Music partly reappears in D 760
|
490
|
490
|
(1895)
|
XX, 4 No. 267
|
IV, 11
|
Der Hirt
|
Du Turm! zu meinem Leide
|
October 1816
|
Text by Mayrhofer
|
491
|
491
|
(1887)
|
XX, 4 No. 269
|
IV, 11
|
Geheimnis: An F. Schubert
|
Sag an, wer lehrt dich Lieder
|
October 1816
|
Text by Mayrhofer
|
492
|
492
|
(1849)
|
XX, 4 No. 270
|
III, 3 No. 15 IV, 11
|
Zum Punsche, D 492
|
Woget brausend, Harmonien
|
October 1816
|
Text by Mayrhofer
|
493
|
489
|
|
|
|
|
|
|
See D 489
|
494
|
494
|
(1871)
|
XVI No. 32
|
III, 4 No. 41
|
Der Geistertanz, D 494
|
Die bretterne Kammer der Toten erbebt
|
November 1816
|
Text by Matthisson (other settings: D 15, 15A and 116); For ttbbb
|
495
|
495
|
(1868)
|
XX, 4 No. 271
|
IV, 11
|
Abendlied der FĂĽrstin
|
Der Abend rötet nun das Tal
|
November 1816
|
Text by Mayrhofer
|
496
|
496
|
(1885)
|
XX, 4 No. 274
|
IV, 11
|
Bei dem Grabe meines Vaters
|
Friede sei um diesen Grabstein her!
|
November 1816
|
Text by Claudius
|
140
|
496A
|
(1968)
|
|
IV, 7 No. 22
|
Klage um Ali Bey, D 496A
|
LaĂźt mich! laĂźt mich! ich will klagen
|
November 1816
|
Text by Claudius (other setting: D 140)
|
497
|
497
|
98,1 (1829)
|
XX, 4 No. 276
|
IV, 5
|
An die Nachtigall, D 497
|
Er liegt und schläft
|
November 1816
|
Text by Claudius
|
498
|
498
|
98,2 (1829)
|
XX, 4 No. 277
|
IV, 5
|
Wiegenlied, D 498
|
Schlafe, schlafe, holder sĂĽĂźer Knabe
|
November 1816
|
|
499
|
499
|
(1885)
|
XX, 4 No. 278
|
IV, 11
|
Abendlied, D 499
|
Der Mond ist aufgegangen
|
November 1816
|
Text by Claudius
|
500
|
500
|
(1895)
|
XX, 4 No. 279
|
IV, 11
|
Phidile
|
Ich war erst sechzehn Sommer alt
|
November 1816
|
Text by Claudius
|
501
|
501
|
(1895)
|
XX, 4 No. 281
|
IV, 11
|
Zufriedenheit, D 501
|
Ich bin vergnugt
|
November 1816
|
Text by Claudius (other setting: D 362); Two versions: 1st in AGA
|
502
|
502
|
(1872)
|
XX, 4 No. 282
|
IV, 11
|
Herbstlied, D 502
|
Bunt sind schon die Wälder
|
November 1816
|
Text by Salis-Seewis
|
503
|
503
|
|
|
IV, 11
|
Mailied, D 503
|
GrĂĽner wird die Au
|
November 1816
|
Text by Hölty (other settings: D 129 and 199)
|
504
|
504
|
6,3 (1821) (1970)
|
XX, 4 No. 275
|
IV, 1a & b No. 8
|
Am Grabe Anselmos
|
DaĂź ich dich verloren habe
|
4/11/1816
|
Text by Claudius; Two versions: 1st, in AGA, is Op. 6 No. 3
|
505
|
505
|
145p,1 (1848) (1897)
|
XI No. 5 XXII, 4 No. 5
|
VII/2, 2
|
Adagio, D 505
|
D♭ major
|
September 1818?
|
For piano; 2nd movement of D 625?; Abridged variant in E major, in AGA XXI, is Op. posth. 145 No. 1
|
506
|
506
|
145p,2 (1848)
|
XI No. 5
|
VII/2, 4
|
Rondo, D 506
|
E major
|
June 1817?
|
For piano; 4th movement of D 566?
|
507
|
507
|
(1895)
|
XX, 4 No. 283
|
IV, 11
|
Skolie, D 507
|
Mädchen entsiegelten
|
December 1816
|
Text by Matthisson
|
508
|
508
|
(1845)
|
XX, 4 No. 284
|
IV, 11
|
Lebenslied, D 508
|
Kommen und Scheiden
|
December 1816
|
Text by Matthisson (other settings: D Anh. I, 23, and possibly 425)
|
509
|
509
|
(1872)
|
XX, 4 No. 285
|
IV, 11
|
Leiden der Trennung
|
Vom Meere trennt sich die Welle
|
December 1816
|
Text by Metastasio, from Artaserse III, 1, "L'onda dal mar divisa", transl. by Collin, H. J.; Two versions: 1st is a fragment – 2nd in AGA
|
510
|
510
|
(1895)
|
XX, 10 No. 573
|
IV, 11
|
Vedi quanto adoro
|
Vedi quanto adoro
|
December 1816
|
Text by Metastasio, from Didone abbandonata II, 4; Aria for soprano and piano; Clean copy and three sketches; Last extant autograph with corrections by Salieri
|