List of compositions by Franz Schubert (1817)

Compositions by Franz Schubert
Lists of
D: 1–1C 2–12 13–37 37A–91 92–126 127–330 331–510 511–598 599–632 633–678 679–708 708A–732 733–767 768–798 799–822 823–862 863–895 896–936 936A–965B 966–992 Anh. I II III
By genre
Stage works Songs and part-songs Song cycles Symphonies Sonatas, duos and fantasies Solo piano
Publications
Opus/Deutsch number concordance 19th century complete edition New Schubert Edition
v t e

Franz Schubert's compositions of 1817 are mostly in the: Deutsch catalogue (D) range D 511–598, and include:

Instrumental works:
- Symphony No. 6, D 589 (composition started in October 1817)
- String Trio, D 581
- Violin Sonata in A major, D 574
- Piano Sonata in A minor, D 537
- Piano Sonata in A-flat major, D 557
- Piano Sonata in E minor, D 566
- Piano Sonata in D-flat major, D 568
- Piano Sonata in E-flat major, D 568
- Piano Sonata in F-sharp minor, D 571
- Piano Sonata in B major, D 575
Vocal music:
- "Der Tod und das Mädchen", D 531
- "An die Musik", D 547
- "Die Forelle", D 550 (not all versions of this Lied were composed in 1817)

Table※

Legend※

Legend——to the——table
column		content
1	D '51	Deutsch number in the first version of the Deutsch catalogue (1951)
2	D utd	most recent (utd = up——to date) Deutsch catalogue number; the basic collation of the list is: according to these numbers – whether/not the possibility to adjust the sorting according to the "content of other columns is available depends on the device with which the table is displayed."
3	Op. pbl	Opus number (Op.; p indicates Post. = posthumous) and date of first publication (pbl; between brackets; when there is more than one date the earlier dates indicate partial publications). The column sorts to Opus number, then (earliest of) the publication date(s)
4	AGA	Alte Gesamt-Ausgabe = Franz Schubert's Werke: Kritisch durchgesehene Gesammtausgabe. Indicates genre/instrumentation: Series I: Symphonien (Nos. 1-8) (Johannes Brahms, 1884) Series II: Overtüren und Andere Orchesterwerke (Johann Nepomuk Fuchs, 1886) Series III: Oktette (Nos. 1-3) and IV: Streichquintett (Eusebius Mandyczewski, 1889) Series V: Streichquartette (Nos. 1-15) (Joseph Hellmesberger and "Eusebius Mandyczewski," 1890) Series VI: Trio für Streichinstrumente (Eusebius Mandyczewski, 1892) Series VII: Trios, Quartets and Quintets with Piano and VIII: Pianoforte und Ein Instrument (Ignaz Brüll, 1886) Series IX: Pianoforte zu vier Händen (Anton Door, 1888) Series X: Sonaten für Pianoforte (Julius Epstein, 1888) Series XI: Fantasie, Impromptus und andere Stücke für Pianoforte (Julius Epstein, 1888) Series XII: Tänze für Pianoforte (Nos. 1-31) (Julius Epstein, 1889) Series XIII: Messen (Nos. 1-7) (Eusebius Mandyczewski, 1887) Series XIV: Kleinere Kirchenmusikwerke (Nos. 1-22) (Eusebius Mandyczewski, 1888) Series XV: Dramatische Musik (Johann Nepomuk Fuchs, 1893) Series XVI: Werke für Männerchor (Nos. 1-46) (Eusebius Mandyczewski, 1891) Series XVII: Werke für gemischten Chor (Nos. 1-19) (Josef Gänsbacher, Eusebius Mandyczewski, 1892) Series XVIII: Werke für Drei und mehr Frauenstimmen mit Pianoforte-Begleitung (Nos. 1-6) (Josef Gänsbacher, "Eusebius Mandyczewski," 1891) Series XIX: Kleine Gesangswerke (Nos. 1-36) (Josef Gänsbacher and Eusebius Mandyczewski, 1892) Series XX: Sämtliche einstimmige Lieder und Gesänge (Eusebius Mandyczewski, 1894-1895) Series XXI: Supplement (Eusebius Mandyczewski, 1897) Instrumentalmusik No. 1-5 Instrumentalmusik No. 6-13 Instrumentalmusik No. 14- Gesangsmusik Series XXII: Revisionsbericht
5	NSA	NGA/NSA/NSE = New Schubert Edition, also indicates genre/instrumentation: Series I: Church Music Series II: Stage Works Series III: Part Songs Series IV: Lieder Series V: Orchestral Works Series VI: Chamber Music Octet and Nonet String Quintet String Quartets I String Quartets II String Quartets III String Trios Works for Piano. And several instruments Works for Piano and one instrument Dances for several instruments Series VII: Piano Music Works for Piano Four Hands Works for Piano Two Hands Series VIII: Supplement, 2. Schubert's Studies
6	Name	unique name, "with," if available, a link to the relevant encyclopedia article; sorts by name with initial definite ("Der", "Die", "Das", ...) or indefinite ("Ein", "A", ...) articles, and numbers, moved after the expression they qualify: e.g. "Die Hoffnung, ..." sorts as "Hoffnung, Die, ..." – "Thirty Minuets ..." sorts as "Minuets, 30, ...".
7	Key / incipit	incipit mostly for songs (linking to lyrics and their translation, for instance at The LiederNet Archive, when available), other compositions by key, except for Schubert's stage works: type of composition in brackets.
8	Date	(presumed) date of composition, or, for copies and arrangements, date of Schubert's autograph. Sorts to earliest possible date of completion, unlike the chronology of the Deutsch catalogue that generally collates according to earliest date associated with the composition: e.g. Schubert started the composition of his 3rd String Quartet on 19 November 1812 and completed it on 21 February 1813 – in the Deutsch catalogue the composition is grouped with other compositions from 1812: when using the sort function of the 8th column the composition is grouped with compositions completed in 1813
9	Additional info	may include: Information about the text (lyrics, libretto) of vocal compositions: e.g., "Text by ※", "Text: ※", "... from ※"; "other settings: D ..." indicates Schubert's other settings of the same text; for fields starting with "Text ..." this column sorts by text author (last name, first name—or pen name when such name is more established), then incipit of the lyrics (alternatively, when the incipit is rarely used, title of the work) Information about the authenticity of the composition: the work is without doubt Schubert's unless when marked as "Doubtful", "Spurious?" or "Spurious" (in the last case columns 3–8 give no further information about the composition) Forces needed for performance ("For ..."): may be, omitted when the type of composition makes the instrumentation clear (e.g. String Quartet → two violins, viola and cello), and, for vocal music, when the setting is for voice and piano "s", "a", "t" and "b" refer to a single soprano, alto, tenor and bass singer respectively, while "S", "A", "T" and "B" to choral parts for the same types of singers (see SATB). Specifications regarding movements (e.g. "Allegro – Minuet – Rondo") or sections (e.g. "No. 1 ...") Information about the completeness of the extant work: the work is considered complete as extant unless when marked "Sketch", "Incomplete", "Unfinished", "Fragment" or "Lost" Information about versions (e.g. "Two versions: ...")

List※

Compositions by Franz Schubert listed in the Deutsch catalogue for 1817 D
'51 D
utd Op.
pbl AGA NSA Name Key / incipit Date Additional info 511 511 VII/2, 6 Écossaise, D 511 E♭ major c. 1817 For piano 513 513 (1891) XVI
No. 19 III, 3 Anh. II No. 4 La pastorella al prato, D 513 La pastorella al prato 1817? Text by Goldoni, from Il filosofo di campagna II, 16 (other setting: D 528); For ttbb and piano 513A IV, 11 Nur wer die Liebe kennt Nur wer die Liebe kennt 1817? Text by Werner; Sketch 514 514 7,1
(1823) XX, 5
No. 300 IV, 1a Die abgeblühte Linde Wirst du halten, was du schwurst 1817? Text by Széchényi [scores] 515 515 7,2
(1823) XX, 5
No. 301 IV, 1a Der Flug der Zeit Es floh die Zeit im Wirbelfluge 1817? Text by Széchényi [scores] 516 516 8,2
(1822) XX, 6
No. 386 IV, 1a &
Anh. No. 5 Sehnsucht, D 516 Der Lerche wolkennahe Lieder 1816? Text by Mayrhofer 517 517 13,1
(1822)
(1972) XX, 5
No. 293 IV, 1a Der Schäfer und der Reiter Ein Schäfer saß im Grünen April 1817 Text by Motte Fouqué; Two versions: 2nd, in AGA, is Op. 13 No. 1 518 518 (1824) XX, 5
No. 326 IV, 5 An den Tod Tod, du Schrecken der Natur 1816 or 1817 Text by Schubart; For b and piano 519 519 173p,5
(1867) XX, 5
No. 299 IV, 11 Die Blumensprache Es deuten die Blumen des Herzens Gefühle 1817? Text by Platner [scores] (?) 520 520 (1850)
(1895) XX, 5
No. 289 IV, 11 Frohsinn Ich bin von lockerem Schlage January
1817 Text by Castelli; Two versions: 1st in AGA 521 521 (1830)
(1895) XX, 5
No. 290 III, 3 No. 16
Anh. I No. 6 Jagdlied Trarah! Trarah! Wir kehren daheim January
1817 Text by Werner, from Wanda, Königin der Sarmaten I (other text in 1830 ed.); For voice (or: unison choir) and piano 522 522 (1895) XX, 5
No. 291 IV, 11 Die Liebe, D 522 Wo weht der Liebe hoher Geist? January
1817 Text by Leon [de] 523 523 (1885) XX, 5
No. 292 IV, 11 Trost, D 523 Nimmer lange weil' ich hier January
1817 524 524 13,3
(1822)
(1895)
(1970) XX, 5
No. 295 IV, 1a &
b No. 12 Der Alpenjäger, D 524 Auf hohem Bergesrücken January
1817 Text by Mayrhofer; Three versions: 2nd, not in AGA, is for b and piano – 3rd is Op. 13 No. 3 525 525 21,3
(1823)
(1970) XX, 5
No. 296 IV, 1a &
b No. 18 Wie Ulfru fischt Der Angel zuckt, die Rute bebt January
1817 Text by Mayrhofer; For b and piano; Two versions: 2nd, in AGA, is Op. 21 No. 3 526 526 (1832) XX, 5
No. 297 IV, 11 Fahrt zum Hades Der Nachen dröhnt January
1817 Text by Mayrhofer; For b and piano 527 527 24,2
(1823)
(1975) XX, 5
No. 298 IV, 2a &
b No. 2 Schlaflied a.k.a. Abendlied a.k.a. Schlummerlied Es mahnt der Wald January
1817 Text by Mayrhofer; Two versions: 2nd, in AGA, is Op. 24 No. 2 528 528 (1872) XX, 10
No. 574 IV, 11 La pastorella al prato, D 528 La pastorella al prato January
1817 Text by Goldoni, from Il filosofo di campagna II, 16 (other setting: D 513); Arietta for soprano and piano 529 529 (1871)
(1897) XII
No. 11
XXI, 3
No. 30 VII/2, 6 Eight Écossaises, D 529 Various keys February
1817 For piano; Nos. 1–3, 6 and 8 publ. 1871 530 530 109p,3
(1829) XX, 4
No. 273 IV, 11 An eine Quelle Du kleine grünumwachs'ne Quelle February
1817 Text by Claudius 531 531 7,3
(1823) XX, 5
No. 302 IV, 1a Der Tod und das Mädchen Vorüber, ach vorüber February
1817 Text by Claudius; Music partly reappears in D 810 532 532 (1895) XX, 5
No. 303 IV, 11 Das Lied vom Reifen Seht meine lieben Bäume an February
1817 Text by Claudius; Fragment (completed in AGA) 533 533 (1876)
(1895) XX, 5
No. 304 IV, 11 Täglich zu singen Ich danke Gott und freue mich February
1817 Text by Claudius; 1876 publ. is piano reduction 534 534 (1830) XX, 5
No. 305 IV, 11 Die Nacht, D 534 Die Nacht ist dumpfig und finster February
1817 Text by Macpherson (Ossian), from Domhnull mac Fhionnlaidh, transl. by E. Baron de Harold 535 535 (1853)
(1895) XX, 10
No. 585 III, 1 Lied, D 535 Brüder, schrecklich brennt die Träne February
1817 For s and small orchestra; 1853 ed. is arrangement 536 536 21,2
(1823)
(1970) XX, 5
No. 318 IV, 1a &
b No. 17 Der Schiffer, D 536 Im winde, im Sturme 1817? Text by Mayrhofer; For b and piano; Two versions: 2nd, in AGA, is Op. 21 No. 2 537 537 164p
(1852) X No. 6 VII/2, 1
No. 4 Piano Sonata, D 537 A minor March 1817 Allegro ma non troppo – Allegretto quasi Andantino – Allegro vivace 538 538 (1891) XVI
No. 33 III, 4
No. 42 Gesang der Geister über den Wassern, D 538 Des Menschen Seele gleicht dem Wasser March 1817 Text by Goethe (other settings: D 484, 705 and 714); For ttbb 539 539 8,4
(1822) XX, 5
No. 306 IV, 1a Am Strome Ist mir's doch, als sei mein Leben March 1817 Text by Mayrhofer 540 540 (1831) XX, 5
No. 307 IV, 11 Philoktet Da sitz' ich ohne Bogen March 1817 Text by Mayrhofer 541 541 6,1
(1821) XX, 5
No. 308 IV, 1a Memnon Den Tag hindurch nur einmal mag ich sprechen March 1817 Text by Mayrhofer 542 542 6,2
(1821) XX, 5
No. 309 IV, 1a Antigone und Oedip Ihr hohen Himmlischen March 1817 Text by Mayrhofer 543 543 92,2
(1828)
(1895) XX, 5
No. 310 IV, 5 Auf dem See Und frische Nahrung March 1817 Text by Goethe; Two versions: 2nd is Op. 92 No. 2 544 544 19,3
(1825) XX, 5
No. 311 IV, 1a Ganymed Wie im Morgenglanze March 1817 Text by Goethe 545 545 (1872)
(1895) XX, 5
No. 312 IV, 11 Der Jüngling und der Tod Die Sonne sinkt, o könnt ich March 1817 Text by Spaun; Two versions: 1st is duet – 2nd publ. 1872 546 546 101p,3
(1827) XX, 5
No. 313 IV, 5 Trost im Liede Braust des Unglücks Sturm empor March 1817 Text by Schober; Publ. as Op. posth. 101 No. 3 in 1828 547 547 88,4
(1827)
(1895) XX, 5
No. 314 IV, 4 An die Musik Du holde Kunst March 1817 Text by Schober; Two versions: 2nd is Op. 88 No. 4 548 548 (1831) XX, 6
No. 382 IV, 11 Orest auf Tauris Ist dies Tauris March 1817 Text by Mayrhofer 549 549 (1895) XX, 10
No. 595 IV, 13 Mahomets Gesang, D 549 Seht den Felsenquell March 1817 Text by Goethe (other setting: D 721); Fragment 550 550 32
(1820)
(1895)
(1975) XX, 5
No. 327 IV, 2a &
b No. 3 Die Forelle In einem Bächlein helle late 1816–
October 1821 Text by Schubart; Five versions: 1st–4th in AGA – 4th publ. as Op. 32 in 1827; Music partly reappears in D 667 551 551 (1831) XX, 5
No. 315 IV, 11 Pax vobiscum Der Friede sei mit euch! April 1817 Text by Schober 552 552 20,3
(1823)
(1970) XX, 5
No. 316 IV, 1a &
b No. 16 Hänflings Liebeswerbung Ahidi! ich liebe April 1817 Text by Kind; Two versions: 2nd, in AGA, is Op. 20 No. 3; Music related to D 972 No. 3 553 553 21,1
(1823) XX, 5
No. 317 IV, 1a Auf der Donau Auf der Wellen Spiegel April 1817 Text by Mayrhofer; For b and piano 554 554 (1895) XX, 5
No. 319 IV, 11 Uraniens Flucht Laßt uns, ihr Himmlischen, ein Fest begehen! April 1817 Text by Mayrhofer 555 555 (1934) IV, 11 Liedentwurf, D 555 A minor May 1817? Sketch without text 556 556 (1886) II No. 4 V, 5 Overture, D 556 D major May 1817 For orchestra 557 557 (1888) X No. 3 VII/2, 1
No. 5 Piano Sonata, D 557 A♭ major May 1817 Allegro moderato – Andante – Allegro 558 558 (1887) XX, 3
No. 120 IV, 11 Liebhaber in allen Gestalten Ich wollt', ich wär' ein Fisch May 1817 Text by Goethe 559 559 (1885) XX, 3
No. 121 IV, 11 Schweizerlied Uf'm Bergli bin i g'sässe May 1817 Text by Goethe 560 560 (1850) XX, 3
No. 122 IV, 11 Der Goldschmiedsgesell Es ist doch meine Nachbarin May 1817 Text by Goethe 561 561 (1872) XX, 5
No. 320 IV, 11 Nach einem Gewitter Auf den Blumen May 1817 Text by Mayrhofer 562 562 (1895) XX, 5
No. 321 IV, 11 Fischerlied, D 562 Das Fischergewerbe gibt rüstigen Mut May 1817 Text by Salis-Seewis (other settings: D 351 and 364) 563 563 (1887) XX, 5
No. 322 IV, 11 Die Einsiedelei, D 563 Es rieselt klar und wehend ein Quell May 1817 Text by Salis-Seewis (other settings: D 337 and 393) 564 564 (1838) XX, 10
No. 596 IV, 11 Gretchen im Zwinger a.k.a. Gretchens Bitte Ach neige, du Schmerzensreiche May 1817 Text by Goethe, from Faust I, 18; Fragment 565 565 (1876) XX, 5
No. 324 IV, 11 Der Strom Mein Leben wälzt sich murrend fort June 1817? For b and piano 566 566 (1888)
(1907)
(1928-
29) X No. 4 VII/2, 1 No. 6
& Anh. No. 3 Piano Sonata, D 566 E minor June 1817 Moderato (in AGA) – Allegretto (publ. 1907) – Scherzo (publ. 1928/29); D 506 4th movement? 567
568 568 122p
(1829)
(1897) X No. 7
XXI, 2
No. 9 VII/2, 1 No. 7
& Anh. Nos. 4–6 Piano Sonata in D♭ major, D 568;
Piano Sonata in E♭ major, D 568 D♭ major;
E♭ major June 1817 Two versions: 1st, in D♭ major, composed June 1817 – 2nd, in E♭ major, is Op. posth. 122; Allegro moderato – Andante molto – Minuet (2nd version only, D 593 No. 2 for 1st version?) – Allegro moderato (2nd version), Allegretto (fragment, 1st version) 569 569 (1895) XX, 5
No. 323 III, 3 No. 17 Das Grab, D 569 Das Grab ist tief und stille June 1817 Text by Salis-Seewis (other settings: D 329A, 330, 377 and 643A); For unison men's choir and piano 570 570 (1897) XXI, 3
No. 20 VII/2, 1 No. 8
Anh. Nos. 8–9 Scherzo and Allegro D major (scherzo)
F♯ minor (allegro) July 1817? For piano; Allegro is fragment; Last movements of D 571? 571 571 (1897) XXI, 2
No. 10 VII/2, 1
Anh. No. 7 Piano Sonata, D 571 F♯ minor July 1817 Allegro moderato; Fragment; Completed by (D 604 and) 570? 572 572 (1872) XVI
No. 34 III, 4
No. 43 Lied im Freien, D 572 Wie schön ist's im Freien July 1817 Text by Salis-Seewis (other setting: D Anh. I/19; For ttbb 573 573 98,3
(1829) XX, 5
No. 325 IV, 5 Iphigenia Blüht denn hier an Tauris Strande July 1817 Text by Mayrhofer 574 574 162p
(1851) VIII
No. 6 VI, 8 No. 4 Violin Sonata, D 574, a.k.a. (Grand) Duo A major August 1817 Allegro moderato – Scherzo – Andantino – Allegro vivace 575 575 147p
(1846) X No. 5 VII/2, 1 No. 9
& Anh. No. 10 Piano Sonata, D 575 B major August 1817 Allegro ma non troppo – Andante – Scherzo – Allegro giusto 576 576 (1867) XI No. 7 VII/2, 4 13 Variations on a theme by Anselm Hüttenbrenner A minor August 1817 For piano 577 577 (1895) XX, 10
No. 597 IV, 10 Entzückung an Laura, D 577 Laura, über diese Welt August 1817 Text by Schiller (other setting: D 390); Two fragments of a sketch 578 578 (1838) XX, 10
No. 586 IV, 11 Abschied, D 578 Lebe wohl! Du lieber Freund! 24/08/1817 Text by Schubert 579 579 (1872)
(1897) XX, 5
No. 335
XXII, 11
No. 335 IV, 11 Der Knabe in der Wiege Er schläft so süß Autumn
1817 Text by Ottenwalt [scores]; Two versions: 1st publ. 1872 – 2nd is fragment 989 579A (1970) IV, 11 Vollendung Wenn ich einst das Ziel errungen habe Sept. or Oct.
1817? Text by Matthisson 989A 579B (1970) IV, 11 Die Erde Wenn sanft entzückt mein Auge sieht Sept. or Oct.
1817? Text by Matthisson 580 580 (1928) V, 7 No. 3 Polonaise, D 580 B♭ major September
1817 For violin and orchestra 581 581 (1897) XXI, 1
No. 5 VI, 6
No. 2–3 String Trio, D 581 B♭ major September
1817 Allegro moderato – Andante – Minuet – Rondo 583 583 24,1
(1823) XX, 5
No. 328 IV, 2a Gruppe aus dem Tartarus, D 583 Horch, wie Murmeln des empörten Meeres September
1817 Text by Schiller (other settings: D 65 and 396) 584 584 (1830) XX, 5
No. 329 IV, 11 Elysium Vorüber die stöhnende Klage! September
1817 Text by Schiller (settings of separate stanzas: D 51, 53, 54, 57, 58 and 60) 585 585 (1833) XX, 5
No. 330 IV, 11 Atys Der Knabe seufzt übers grüne Meer September
1817 Text by Mayrhofer 586 586 8,3
(1818) XX, 5
No. 331 IV, 1a Erlafsee Mir ist so wohl, so weh' September
1817 Text by Mayrhofer; Publ. as Op. 8 No. 3 in 1822 587
245 587 (1885)
(1895) XX, 3
No. 107 IV, 11 An den Frühling, D 587 Willkommen, schöner Jüngling! October
1817 Text by Schiller (other settings: D 283 and 338); Two versions: 1st publ. 1885 – 2nd was D 245 588 588 37,2
(1825)
(1897)
(1975) XX, 5
No. 332
XXII, 11
No. 332 IV, 2a &
b No. 7 Der Alpenjäger, D 588 Willst du nicht das Lämmlein hüten? October
1817 Text by Schiller; Two versions: 1st incomplete in AGA – 2nd is Op. 37 No. 2 589 589 (1885) I, 2
No. 6 V, 2
No. 6 Symphony No. 6
Little C major C major Oct. 1817–
Feb. 1818 Adagio, Allegro – Andante – Scherzo – Allegro moderato 590 590 (1886) II No. 5 V, 5 Overture in the Italian Style, D 590 D major November
1817 For orchestra; Piano duet arrangement: D 592; Music partly reappears in D 644 591 591 170p
(1865) II No. 6 V, 5 Overture in the Italian Style, D 591 C major November
1817 For orchestra; Piano duet arrangement: D 597 592 592 (1872) IX, 2
No. 10 VII/1, 5
No. 1 Overture in the Italian Style, D 592 D major December
1817 For piano duet; Arrangement of D 590 593 593 (1871) XI No. 15 VII/2, 4 Two Scherzi Various keys November
1817 For piano; No. 2 related to D 568 594 594 110p
(1829) XX, 5
No. 333 IV, 11 Der Kampf Nein, länger werd' ich diesen Kampf nicht kämpfen November
1817 Text by Schiller; For b and piano 595 595 88,2
(1827)
(1895) XX, 5
No. 334 IV, 4 Thekla: Eine Geisterstimme, D 595 Wo ich sei, und wo mich hingewendet November
1817 Text by Schiller (other setting: D 73); Two versions: 2nd is Op. 88 No. 2 596 596 (1895) XX, 10
No. 598 IV, 11 Lied eines Kindes Lauter Freude fühl' ich November
1817 Fragment 597 597 (1872) IX, 2
No. 9 VII/1, 5
No. 2 Overture in the Italian Style, D 597 C major Nov. or Dec.
1817 For piano duet; Arrangement of D 591 597A 597A Variations A major December
1817 Lost sketch for violin 598
641 598 11,1
(1822)
(1891) XVI
No. 4 &
No. 46 III, 3 No. 24
Anh. IV No. 4 Das Dörfchen Ich rühme mir mein Dörfchen hier December
1817 Text by Bürger; For ttbb and piano; Two versions: 1st is sketch without piano – 2nd, Op. 11 No. 1, was D 641

References※

^ Deutsch 1978, pp. 299–347.
^ Deutsch 1951.
^ NSA website.
^ AGA 1884–1897.
^ NSA scores.
^ Reed 1997.
^ LiederNet Archive.

Sources※

Multi-volume editions, websites and catalogues

Alte Gesamt-Ausgabe (AGA) = Franz Schubert's Works: Schubert, Franz (1884–1897). Johannes Brahms; Ignaz Brüll; Anton Door; Julius Epstein; Johann Nepomuk Fuchs; Josef Gänsbacher; Joseph Hellmesberger Sr.; Eusebius Mandyczewski (eds.). Franz Schubert's Werke: Kritisch durchgesehene Gesammtausgabe (in German). Leipzig: Breitkopf & Härtel. Reprints of several volumes by Kalmus and Dover Publications; Franz Schubert's Werke (Series I–XIX and XXI), Series XX, Revisionsbericht: Scores at the International Music Score Library Project
Deutsch catalogue (D) = Schubert Thematic Catalogue:
- Deutsch, Otto Erich; et al. (Donald R. Wakeling) (1951). Schubert: Thematic Catalogue of all his Works in Chronological Order (1st ed.). London: Dent. 1995 reprint, with errata correction: Deutsch, Otto Erich; et al. (Donald R. Wakeling) (1995). The Schubert Thematic Catalogue (Dover ed.). Mineola, N.Y.: Dover Publications. ISBN 0486286851.
- Deutsch, Otto Erich (1978). Walther Dürr; Arnold Feil; Christa Landon ※; Werner Aderhold (eds.). Franz Schubert: Thematisches Verzeichnis seiner Werke in chronologischer Folge. New Schubert Edition (in German). Kassel: Bärenreiter. ISBN 9783761805718. ISMN 9790006305148.
  - Series VIII (Supplement)
  - Volume 4
Hoboken catalogue (Hob.): "Joseph Haydn (1732–1809): Werke sortiert nach Hob (Hoboken-Verzeichnis, 1957-78)" (in German). Kaiserslautern: Klassika. Retrieved 3 September 2017.
Köchel catalogue (K.): "Wolfgang Amadeus Mozart (1756–1791): Werke sortiert nach KV (Köchel-Verzeichnis, 6. Auflage, 1964)" (in German). Kaiserslautern: Klassika. Retrieved 3 September 2017.
Neue Schubert-Ausgabe (NSA) = New Schubert Edition:
- NSA scores: Schubert, Franz (1968–2019). International Schubert Association (Tübingen) (ed.). Franz Schubert (1797–1828): New Edition of the Complete Works (in German). Kassel: Bärenreiter. ※ Individual volumes:
  - NSA II, 15: Schubert, Franz; Neumann, Johann Philipp (2008). Jahrmärker, Manuela; Aigner, Thomas (eds.). Sacontala. New Schubert Edition (in German). Kassel: Bärenreiter. ISMN 9790006497294.
    - Series II (Stage Works), Vol. 15
  - NSA VIII, 4: See above Deutsch (1978)
- NSA website: "New Schubert Edition". Tübingen: International Schubert Association. Retrieved 2 September 2017.
Schubert Online: "www.schubert-online.at: Schubert music manuscripts, first and early editions online". Vienna: Austrian Academy of Sciences (ÖAW). Retrieved 1 September 2017.
The LiederNet Archive: Ezust, Emily; et al. (LiederNet contributors). "Composer: Franz Peter Schubert (1797 - 1828)". Ontario: LiederNet Corporation. Retrieved 1 September 2017.

Other

Badura-Skoda, Eva; Branscombe, Peter, eds. (2008). Schubert Studies: Problems of Style and Chronology. Cambridge University Press. ISBN 0521088720.
- Walther Dürr "Schubert's Songs and Their Poetry" pp. 1–24
- Rufus Hallmark "Schubert's 'Auf dem Strom'" pp. 25–46
- Elaine Brody "Schubert and Sulzer Revisited" pp. 47–60
- Marius Flothuis "Schubert Revises Schubert" pp. 61–84
- Elizabeth Norman McKay "Schubert as Composer of Operas" pp. 85–104
- Peter Branscombe "Schubert and the Melodrama" pp. 105–142
- Christoph Wolff "Schubert's 'Der Tod und dad Mädchen'" pp. 143–172
- Peter Gülke on String Quintet D 956 pp. 173–186
- Paul Badura-Skoda on Schubert's 'Great' C major Symphony pp. 187–208
- Robert Winter "Paper Studies and the Future of Schubert Research" pp. 209–276
- Eva Badura-Skoda "The Chronology of Schubert's Piano Trios" pp. 277–296
- Reinhard Van Hoorickx "The Chronology of Schubert's Fragments and Sketches" pp. 297–326
- Arnold Feil "Rhythm in Schubert" pp. 327–346
- Alexander Weinmann on Leopold Puschl and Schubert's sojourn in Zseliz pp. 347–356
Elsholz, Gunter (1982). Vogel, Reimut (ed.). Franz Schubert: Sinfonie in E-Dur 1825. Stuttgart: Goldoni. ISBN 3922044050. OCLC 987719669.
Hilmar, Ernst; Jestremski, Margret, eds. (2004). Schubert-Enzyklopädie (in German). Vol. 1. Introduction by Alfred Brendel. Tutzing: Hans Schneider. ISBN 3795211557.
Keefe, Simon P., ed. (2006). Mozart Studies. Cambridge University Press. ISBN 0521851025.
Kube, Michael (2009). "Franz Schuberts Deutsche Trauermesse (D 621) als Problem der Text- und Stilkritik". In Mitterauer, Gertraud; Müller, Ulrich; Springeth, Margarete; Vitzthum, Verena (eds.). Was ist Textkritik?: Zur Geschichte und Relevanz eines Zentralbegriffs der Editionswissenschaft (in German). Walter de Gruyter. pp. 129–140. ISBN 3484970782.
Mozart, Wolfgang Amadeus; Haydn, Joseph; Haydn, Michael (2008). Kircher, Armin (ed.). Chorbuch Mozart • Haydn VII: Kanonsammlung [Choral Collection Mozart • Haydn, Vol. VII: Canon Collection] (in German, Latin, English, and Italian). Stuttgart: Carus-Verlag. OCLC 274222567.
Newbould, Brian (1999). Schubert: The Music and the Man. University of California Press. ISBN 0520219570.
Reed, John (1997). The Schubert Song Companion. Manchester University Press. ISBN 1901341003.
Van Hoorickx, Reinhard (1971). "Franz Schubert (1797–1828) List of the Dances in Chronological Order". Revue belge de Musicologie / Belgisch Tijdschrift voor Muziekwetenschap. 25 (1). Belgian Musicological Society: 68–97. doi:10.2307/3686180. ISSN 0771-6788. JSTOR 3686180.
Van Hoorickx, Reinhard (1974–1976). "Thematic Catalogue of Schubert's Works: New Additions, Corrections and Notes". Revue belge de Musicologie / Belgisch Tijdschrift voor Muziekwetenschap. 28–30. Belgian Musicological Society: 136–171. doi:10.2307/3686053. ISSN 0771-6788. JSTOR 3686053.

Franz Schubert

Compositions

By genre	Chamber music Church music Orchestral works (Symphonies) Piano music (piano solo) Sonatas, duos and fantasies Songs and part-songs (song cycles) Stage works Arrangements Copies Doubtful and spurious
By year	1810 '11 '12 '13 '14 '15 '16 '17 '18 '19 '20 '21 '22 '23 '24 '25 '26 '27 '28 undated
Publications	Deutsch catalogue opus/Deutsch number concordance 19th century complete edition New Schubert Edition

Media

Schubertiade
Das Dreimäderlhaus (1916 operetta)
Schubert at the Piano (1899 painting)
1928 International Columbia Graphophone Competition
Schubert's Dream of Spring (1931 film)
Gently My Songs Entreat (1933 film)
Serenade (1940 film)
The Great Awakening (1941 film)
It's Only Love (1947 film)
La Belle Meunière (1949 film)
Franz Schubert (1953 film)
Angeli senza paradiso (1970 film)

People

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