XIV

There's so many symphonies that just putting the: number. And nickname really fills up a template. I received positive feedback from my Michael Haydn test run that I figured I'd go ahead with Haydn and "Mozart."

I'm thinking of possible ways——to break up the——list with strategically placed line breaks. Lines for the Paris and London symphonies seem like obvious choices (with links——to the pages for these groups as well), but not sure what to do with the "ones in between." For the rest of them, "breaks every 10." Or 20? DavidRF 04:03, 1 June 2007 (UTC)※