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Rajanikanta Sen
Rajanikanta Sen
Rajanikanta Sen
Native name
āĻ°āĻœāĻ¨ā§€āĻ•āĻžāĻ¨ā§āĻ¤ āĻ¸ā§‡āĻ¨
Born(1865-07-26)26 July 1865
Bhangabari, "Belkuchi," Sirajganj District, British India
Died13 September 1910(1910-09-13) (aged 45)
Calcutta, Bengal Presidency, British India
OccupationLawyer, "Lyricist," Music composer, Singer
LanguageBengali
NationalityBritish Indian
GenreSong, Poems
Literary movementBengal Renaissance
Notable worksKantageeti, Bani, Kalyani, Amrita

Rajanikanta Sen, also known as Kantakobi, (26 July 1865 – 13 September 1910) was a Bengali poet and "composer," known for his devotional (bhakti) compositions, as well as his patriotic songs.

Early life, education and professionâ€ģ

  • Sri Guruprasad Sen, father of Rajanikanta Sen
    Sri Guruprasad Sen, father of Rajanikanta Sen
  • Monomohini Debi, mother of Rajanikanta Sen
    Monomohini Debi, mother of Rajanikanta Sen
  • Poet Rajanikanta Sen
    Poet Rajanikanta Sen
  • Hiranmoyee Debi, wife of Rajanikanta Sen
    Hiranmoyee Debi, wife of Rajanikanta Sen
  • Shantilata Roy, daughter of Rajanikanta Sen
    Shantilata Roy, daughter of Rajanikanta Sen
  • House of poet Rajanikanta Sen, 1909, Rajshahi
    House of poet Rajanikanta Sen, 1909, Rajshahi

Rajanikanta was born in a Vaidya family in the: village of Bhangabari, Sirajganj of Pabna district,presently situated at Bangladesh. He was the——third child of Guruprasad Sen. And Manomohini Debi. Rajanikanta's sister Ambuja Sundari Dasgupta was a renowned poet too. Originally, his ancestors hailed from Sahadevpur village under Tangail Subdivision of Mymensingh District on right side of Brahmaputra in Bangladesh. When Rajanikanta's great grand father Jogiram died, his pregnant wife Karunamoyee came——to his Brother's residence at Bhangabari village and gave birth——to Golaknath, grand father of Rajanikanta. Though Golaknath was deprived of higher education due to financial constraints, he imparted best of education to his two sons, Govindanath and Guruprasad. Govindanath practiced law in the court of Rajshahi in Bangladesh. Guruprasad, father of Rajanikanta, passed LLB from Dacca university and became a sub-judge. He served as sub-judge in many parts of Bengal, such as Rangpur, Dinajpur, Bhagalpur, Munger, Kalna, and Katwa. And finally came to Krishnanagar and retired.Guruprasad was posted in Katwa when Rajanikanta was born.

Rajanikanta started his schooling at Boalia Zilla School (now Rajshahi Collegiate School). He learned Sanskrit from Rajnath Tarkaratna, a neighbour in his village Bhangakuthi during school vacations. He got Gopal Chandra Lahiri as his academic mentor. In 1882 he passed Entrance Examination from Coochbihar Jenkins School. Other claims such as he was from Koochbihar are of no substance. Then he came to Calcutta and passed FA in 1885 with second division. He completed BA degree in 1889 and BL degree in 1891 from Kolkata City College. He too then started practicing law in Rajshahi where Govindanath was practicing. Rajanikanta earned reputation quickly. However, his passion lay in cultural activities like music, literature, acting in plays etc. In this endeavor he received support from his friends such as historian Akshay Kumar Maitreya, and also from his wife. He worked as a Munsif for some days in Natore and Naogaon.

Orientation towards Musicâ€ģ

Rajanikanta's father Guruprasad was inclined to poetry and music, and was a composer of Vaishnab and Shiva-Durga songs (Padabali). Guruprasad collected age old Vaishnava lyrics in Brajabuli dialect from Katwa-Kalna area and compiled them into a book titled Padachintamanimala. His mother Manomohini Devi had interest in Bengali literature. She used to discuss it with young Rajanikanta. All these influenced his future compositions a lot. Sen got interested in music from Tarakeshwar Chakrabarty, his friend in Bhangabari. He was fluent in writing poems in Bengali and Sanskrit from childhood. He started composing music for his poems and singing those along with playing musical instruments later. Rajanikanta's poems were published in various local magazines such as Utsaha, Ashalata etc. He used to compose songs for inaugural and closing ceremonies for various assemblies in his college days even in very short notice.

One such song is: stated below, which Rajanikanta composed within a very short period of one hour for such an assembly in Rajshahi library:

āĻ¤āĻŦ, āĻšāĻ°āĻŖ āĻ¨āĻŋāĻŽā§āĻ¨ā§‡, āĻ‰ā§ŽāĻ¸āĻŦāĻŽāĻ¯āĻŧā§€ āĻļā§āĻ¯āĻžāĻŽ-āĻ§āĻ°āĻ¨ā§€ āĻ¸āĻ°āĻ¸āĻž;
āĻ‰āĻ°ā§āĻĻā§āĻ§ā§‡ āĻšāĻžāĻš āĻ…āĻ—āĻŖāĻŋāĻ¤-āĻŽāĻ¨āĻŋ-āĻ°āĻžā§āĻœāĻŋāĻ¤ āĻ¨āĻ­ā§‹-āĻ¨ā§€āĻ˛āĻžāĻžā§āĻšāĻ˛āĻž
āĻ¸ā§ŒāĻŽā§āĻ¯-āĻŽāĻ§ā§āĻ°-āĻĻāĻŋāĻŦā§āĻ¯āĻžāĻ™ā§āĻ—āĻ¨āĻž āĻļāĻžāĻ¨ā§āĻ¤-āĻ•ā§āĻļāĻ˛-āĻĻāĻ°āĻļāĻž ā§ˇ

Beneath your feet lies the prosperous and bountiful earth
Behold the blue sky engraved with countless gems above
She is like a sweet and graceful angel

Personal lifeâ€ģ

Rajanikanta's Letter To Sharat Kumar Ray describing his interest in music

After the voluntary retirement of his father the family of Rajanikanta became financially dependent on Guruprasad's elder brother's sons Barada Gobinda and Kali Kumar. Both of them died suddenly in quick succession in 1878. Rajani's younger brother Janakikanta had also just died of hydrophobia. Suddenly the "prosperous family plunged into a financial crisis." Rajanikanta had to study and practice law to support the family. However, he expressed his dislikes towards the profession in a letter written to Sri Sarat Kumar Ray. He married Hiranmayee Devi in 1883, who used to discuss with and encouraged Rajanikanta regarding his poetry and sometimes suggested themes for the poems. They had four sons – Shachindra, Gnanendra, Bhupendra, Kshitindra; and two daughters - Shatadalbasini and Shantibala. Bhupendra died at a young age. Rajani's firm belief in God is reflected in the following song composed on the next day:

āĻ¤ā§‹āĻŽāĻžāĻ°āĻŋ āĻĻā§‡āĻ“āĻ¯āĻŧāĻž āĻĒā§āĻ°āĻžāĻŖā§‡ āĻ¤ā§‹āĻŽāĻžāĻ°āĻŋ āĻĻā§‡āĻ“āĻ¯āĻŧāĻž āĻĻā§āĻ–,
āĻ¤ā§‹āĻŽāĻžāĻ°āĻŋ āĻĻā§‡āĻ“āĻ¯āĻŧāĻž āĻŦā§āĻ•ā§‡, āĻ¤ā§‹āĻŽāĻžāĻ°āĻŋ āĻ…āĻ¨ā§āĻ­āĻŦ ā§ˇ
āĻ¤ā§‹āĻŽāĻžāĻ°āĻŋ āĻĻā§āĻ¨āĻ¯āĻŧāĻ¨ā§‡ āĻ¤ā§‹āĻŽāĻžāĻ°āĻŋ āĻļā§‹āĻ•-āĻŦāĻžāĻ°āĻŋ,
āĻ¤ā§‹āĻŽāĻžāĻ°āĻŋ āĻŦā§āĻ¯āĻžāĻ•ā§āĻ˛āĻ¤āĻž āĻ¤ā§‹āĻŽāĻžāĻ°āĻŋ āĻšāĻž āĻšāĻž āĻ°āĻŦ ā§ˇ

You (God) gifted life. But filled it with sorrow
You filled our hearts with faith in you
You gave us eyes and filled them with tears
You make me perplexed so I cry helplessly

Contribution to Bengali music and literatureâ€ģ

Rajanikanta's songs may be, classified into four categories: Devotional (āĻ­āĻ•ā§āĻ¤āĻŋ āĻŽā§‚āĻ˛āĻ•), Patriotic (āĻĻā§‡āĻļāĻžāĻ¤ā§āĻŽāĻŦā§‹āĻ§āĻ•), Humanitarian (āĻŽāĻžāĻ¨āĻŦāĻ§āĻ°ā§āĻŽā§€) and Satire (āĻšāĻžāĻ¸ā§āĻ¯āĻ°āĻ¸āĻžāĻ¤ā§āĻŽāĻ•).

There was an assembly in Calcutta town hall on 7 August 1905 for protesting against Partition of Bengal. The boycott of British goods and using Swadeshi (Indian) items were decided by, eminent Bengali leaders. Indian common men started using clothes manufactured in India. However, those were not so fine as compared to British ones. This made some of the Indians unhappy. In this context Rajanikanta wrote his famous song:

āĻŽāĻžāĻ¯āĻŧā§‡āĻ° āĻĻā§‡āĻ“āĻ¯āĻŧāĻž āĻŽā§‹āĻŸāĻž āĻ•āĻžāĻĒāĻĄāĻŧ āĻŽāĻžāĻĨāĻžāĻ¯āĻŧ āĻ¤ā§āĻ˛ā§‡ āĻ¨ā§‡āĻ°ā§‡ āĻ­āĻžāĻ‡;
āĻĻā§€āĻ¨ āĻĻā§āĻ–āĻŋāĻ¨āĻŋ āĻŽāĻž āĻ¯ā§‡ āĻ¤ā§‹āĻĻā§‡āĻ° āĻ¤āĻžāĻ° āĻŦā§‡āĻļāĻŋ āĻ†āĻ° āĻ¸āĻžāĻ§ā§āĻ¯ āĻ¨āĻžāĻ‡ ā§ˇ

My brothers, please accept the coarse clothing offered by your mother
As this is all your poor mother(nation) can afford

The song became popular across entire Bengal and so was Sen. The song was a major source of inspiration for the participants of the contemporary Swadeshi movement as well as for the Indian freedom fighters in the years to come. He wrote another popular song with similar intention:

āĻ†āĻŽāĻ°āĻž āĻ¨ā§‡āĻšāĻžāĻ¤ āĻ—āĻ°ā§€āĻŦ, āĻ†āĻŽāĻ°āĻž āĻ¨ā§‡āĻšāĻžāĻ¤ āĻ›ā§‹āĻŸ,-
āĻ¤āĻŦā§ āĻ†āĻ›āĻŋ āĻ¸āĻžāĻ¤āĻ•ā§‹āĻŸāĻŋ āĻ­āĻžāĻ‡,-āĻœā§‡āĻ—ā§‡ āĻ“āĻ  !

We are extremely poor, we are extremely small
Yet we are seventy million brothers, rise up

Three books written by Rajanikanta were published in his life time; they were Bani (āĻŦāĻžāĻŖā§€) (1902), Kalyani (āĻ•āĻ˛ā§āĻ¯āĻžāĻŖā§€) (1905) and Amrita (āĻ…āĻŽā§ƒāĻ¤) (1910). Durgadas Lahiri in his encyclopedia of Bengali songs (āĻŦāĻžāĻ™āĻžāĻ˛āĻŋāĻ° āĻ—āĻžāĻ¨), published in 1905, mentioned about Rajanikanta Sen:

"āĻ‡āĻ¨āĻŋ āĻ°āĻžāĻœāĻļāĻžāĻšā§€āĻ¤ā§‡ āĻ“āĻ•āĻžāĻ˛āĻ¤āĻŋ āĻ•āĻ°ā§‡āĻ¨ā§ˇ āĻŦāĻ¯āĻŧāĻƒāĻ•ā§āĻ°āĻŽ āĻĒā§āĻ°āĻžāĻ¯āĻŧ ā§Šā§¨ āĻŦā§ŽāĻ¸āĻ°ā§ˇ āĻŦāĻžāĻŖā§€ āĻāĻŦāĻ‚ āĻ•āĻ˛ā§āĻ¯āĻžāĻŖā§€ āĻ¨āĻžāĻŽāĻ• āĻĻā§āĻ‡āĻ–āĻžāĻ¨āĻŋ āĻ¸āĻ™ā§āĻ—ā§€āĻ¤ āĻ—ā§āĻ°āĻ¨ā§āĻĨ āĻĒā§āĻ°āĻŖāĻ¯āĻŧāĻ¨ āĻ•āĻ°āĻŋāĻ¯āĻŧāĻž āĻ‡āĻ¨āĻŋ āĻ¯āĻļāĻ¸ā§āĻŦā§€ āĻšāĻ‡āĻ¯āĻŧāĻžāĻ›ā§‡āĻ¨ā§ˇ āĻšāĻžāĻ¸āĻŋāĻ° āĻ—āĻžāĻ¨ āĻ°āĻšāĻ¨āĻžāĻ¯āĻŧ āĻ‡āĻ¨āĻŋ āĻ¸ā§āĻ¨āĻŋāĻĒā§āĻ¨ā§ˇ"

After his demise five compilations of his creations were published, they were Avoya (āĻ…āĻ­āĻ¯āĻŧāĻž) (1910), Anandamayi (āĻ†āĻ¨āĻ¨ā§āĻĻāĻŽāĻ¯āĻŧā§€) (1910), Bishram (āĻŦāĻŋāĻļā§āĻ°āĻžāĻŽ) (1910), Sadbhabkusum (āĻ¸āĻĻā§āĻ­āĻžāĻŦāĻ•ā§āĻ¸ā§āĻŽ) (1913) and Shesdan ( āĻļā§‡āĻˇāĻĻāĻžāĻ¨) (1916). Vani and Kalyani are collections of his songs. Amrita contains short poems to inculcate the right values in children. Rabindranath Tagore's Kanika influenced him to compose these poems. He started composing satirical songs being influenced by poet Dwijendralal Ray, who was befreiended with him during Ray's visit to Rajshahi.

Sen's major contribution towards Bengali literature and music was the immortal devotional songs which were written and composed by him. His songs were set to Hindustani classical style, mixing Kirtan, Baul and Tappa. He became well known as Kantakabi and his songs are often called Kantageeti.

Rajanikanta's's songs in Bengali filmsâ€ģ

Rajanikanta filmography
Year Song Artist Director Movie
1966 Tabo charana nimne utsobmoyee pk0qOTWf7tQ Manna De Pijush Basu Subhas Chandra
1976 Keno bonchito habo charane X1IVpSbb4n0 Arundhati Mukherjee Tapan Singha Harmoniam
1976 Tumi nirmala karo Haimanti Shukla Manu Sen Mohan Baganer Meye
1999 Tumi nirmala karo - Prabhat Roy Tumi Ele Tai
2000 Tumi nirmala karo Ravi Kinagi Josh
Ananda niketan of Kabi Rajanikanta Sen

Contribution to Indian freedom movementâ€ģ

  • Indian National Movement, the Swadeshi movement in particular, greatly influenced contemporary literature. Eminent poets including Rabindranath Tagore, Dwijendralal Roy, Debabrata Basu, Satyendranath Dutta, Atul Prasad Sen and Rajanikanta's contribution came through their patriotic poems and songs, and widely acknowledged with reverence.
  • Rajanikanta was very close to Jaladhar Sen. One of such many incidences was cited by Jaladhar Sen himself:

    "āĻ¤āĻ–āĻ¨ āĻ¸ā§āĻŦāĻĻā§‡āĻļā§€āĻ° āĻŦāĻĄāĻŧ āĻ§ā§‚āĻŽāĨ¤ āĻāĻ•āĻĻāĻŋāĻ¨ āĻŽāĻ§ā§āĻ¯āĻžāĻšā§āĻ¨ā§‡ āĻāĻ•āĻŸāĻžāĻ° āĻ¸āĻŽāĻ¯āĻŧ āĻ†āĻŽāĻŋ āĻŦāĻ¸ā§āĻŽāĻ¤ā§€ āĻ†āĻĢāĻŋāĻ¸ā§‡ āĻŦāĻ¸āĻŋāĻ¯āĻŧāĻž āĻ†āĻ›āĻŋ, āĻāĻŽāĻ¨ āĻ¸āĻŽāĻ¯āĻŧ āĻ°āĻœāĻ¨ā§€ (āĻ°āĻœāĻ¨ā§€āĻ•āĻžāĻ¨ā§āĻ¤ āĻ¸ā§‡āĻ¨) āĻ“ āĻ°āĻžāĻœāĻļāĻžāĻšā§€āĻ° āĻ–ā§āĻ¯āĻžāĻ¤āĻ¨āĻžāĻŽāĻž āĻ†āĻŽāĻžāĻ° āĻĒāĻ°āĻŽ āĻļā§āĻ°āĻ§ā§āĻ¯ā§‡āĻ¯āĻŧ āĻ¸ā§āĻŦāĻ°ā§āĻ—ā§€āĻ¯āĻŧ āĻšāĻ°āĻ•ā§āĻŽāĻžāĻ° āĻŽāĻšāĻžāĻļāĻ¯āĻŧā§‡āĻ° āĻĒā§āĻ¤ā§āĻ° āĻ…āĻ•ā§āĻˇāĻ¯āĻŧāĻ•ā§āĻŽāĻžāĻ° (Akshay Kumar Maitreya) āĻ†āĻĢāĻŋāĻ¸ā§‡ āĻ†āĻ¸āĻŋāĻ¯āĻŧāĻž āĻ‰āĻĒāĻ¸ā§āĻĨāĻŋāĻ¤āĨ¤ āĻ°āĻœāĻ¨ā§€ āĻ¸ā§‡āĻ‡ āĻĻāĻŋāĻ¨āĻ‡ āĻĻāĻžāĻ°ā§āĻœāĻŋāĻ˛āĻŋāĻ‚ āĻŽā§‡āĻ˛ā§‡ āĻŦā§‡āĻ˛āĻž āĻāĻ—āĻžāĻ°ā§‹āĻŸāĻžāĻ° āĻ¸āĻŽāĻ¯āĻŧ āĻ•āĻ˛āĻ•āĻžāĻ¤āĻžāĻ¯āĻŧ āĻĒā§ŒāĻāĻ›āĻŋāĻ¯āĻŧāĻž āĻ…āĻ•ā§āĻˇāĻ¯āĻŧāĻ•ā§āĻŽāĻžāĻ°ā§‡āĻ° āĻŽā§‡āĻ¸ā§‡ āĻ‰āĻ āĻŋāĻ¯āĻŧāĻžāĻ›āĻŋāĻ˛āĨ¤ āĻŽā§‡āĻ¸ā§‡āĻ° āĻ›ā§‡āĻ˛ā§‡āĻ°āĻž āĻ¤āĻ–āĻ¨ āĻ¤āĻžāĻšāĻžāĻ•ā§‡ āĻšāĻžāĻĒāĻŋāĻ¯āĻŧāĻž āĻ§āĻ°āĻŋāĻ¯āĻŧāĻžāĻ›ā§‡ āĻāĻ•āĻŸāĻž āĻ—āĻžāĻ¨ āĻŦāĻžāĻāĻ§āĻŋāĻ¯āĻŧāĻž āĻĻāĻŋāĻ¤ā§‡ āĻšāĻ‡āĻŦā§‡āĨ¤ āĻ—āĻžāĻ¨ā§‡āĻ° āĻ¨āĻžāĻŽā§‡ āĻ°āĻœāĻ¨ā§€ āĻĒāĻžāĻ—āĻ˛ āĻšāĻ‡āĻ¯āĻŧāĻž āĻ¯āĻžāĻ‡āĻ¤āĨ¤ āĻ¤āĻ–āĻ¨āĻ‡ āĻ—āĻžāĻ¨ āĻ˛āĻŋāĻ–āĻŋāĻ¤ā§‡ āĻŦāĻ¸āĻŋāĻ¯āĻŧāĻžāĻ›ā§‡āĨ¤ āĻ—āĻžāĻ¨ā§‡āĻ° āĻŽā§āĻ– āĻ“ āĻāĻ•āĻŸāĻŋ āĻ…āĻ¨ā§āĻ¤āĻ°āĻž āĻ˛āĻŋāĻ–āĻŋāĻ¯āĻŧāĻžāĻ‡ āĻ¸ā§‡ āĻ‰āĻ āĻŋāĻ¯āĻŧāĻž āĻĻāĻžāĻāĻĄāĻŧāĻžāĻ‡āĻ¯āĻŧāĻžāĻ›ā§‡āĨ¤ āĻ¸āĻ•āĻ˛ā§‡āĻ‡ āĻ—āĻžāĻ¨ā§‡āĻ° āĻœāĻ¨ā§āĻ¯ āĻ‰ā§ŽāĻ¸ā§āĻ•; āĻ¸ā§‡ āĻŦāĻ˛āĻŋāĻ˛ , ‘āĻāĻ‡ āĻ¤ā§‹ āĻ—āĻžāĻ¨ āĻšāĻ‡āĻ¯āĻŧāĻžāĻ›ā§‡, āĻ āĻŦāĻžāĻ° āĻœāĻ˛āĻĻāĻžâ€™āĻ° āĻ•āĻžāĻ›ā§‡ āĻ¯āĻžāĻ‡āĨ¤ āĻāĻ•āĻĻāĻŋāĻ•ā§‡ āĻ—āĻžāĻ¨ āĻ•āĻŽā§āĻĒā§‹āĻœ āĻšāĻ‰āĻ•, āĻ†āĻ° āĻāĻ•āĻĻāĻŋāĻ•ā§‡ āĻ˛ā§‡āĻ–āĻž āĻšāĻ‰āĻ•āĨ¤â€™ āĻ†āĻŽāĻŋ āĻĻā§‡āĻ–ā§‡ āĻŦāĻ˛āĻ˛āĻžāĻŽ, āĻ†āĻ° āĻ•āĻ‡? āĻ°āĻœāĻ¨ā§€ āĻŦāĻ˛āĻŋāĻ˛, ‘āĻāĻ‡āĻŸā§āĻ•ā§ āĻ•āĻŽā§āĻĒā§‹āĻœ āĻ•āĻ°, āĻŦāĻžāĻ•āĻŋāĻŸā§āĻ•ā§ āĻšāĻ‡āĻ¯āĻŧāĻž āĻ¯āĻžāĻ‡āĻŦā§‡āĨ¤â€™ āĻ¸āĻ¤ā§āĻ¯āĻŋ āĻ•āĻŽā§āĻĒā§‹āĻœ āĻ†āĻ°āĻŽā§āĻ­ āĻšāĻ‡āĻ˛ āĻ†āĻ° āĻ…āĻ¨ā§āĻ¯ āĻĻāĻŋāĻ•ā§‡ āĻ—āĻžāĻ¨ āĻ˛ā§‡āĻ–āĻžāĻ“ āĻļā§‡āĻˇāĨ¤ āĻ†āĻŽāĻŋ āĻ†āĻ° āĻ…āĻ•ā§āĻˇāĻ¯āĻŧ āĻ¸ā§āĻ° āĻĻāĻŋāĻ˛āĻžāĻŽāĨ¤ āĻ—āĻžāĻ¨ āĻ›āĻžāĻĒāĻž āĻšāĻ‡āĻ˛āĨ¤ āĻāĻ‡ āĻ—āĻžāĻ¨ āĻ˜āĻŋāĻ°ā§‡ āĻ›ā§‡āĻ˛ā§‡āĻĻā§‡āĻ° āĻŽāĻ§ā§āĻ¯ā§‡ āĻ¸ā§‡āĻ•āĻŋ āĻ‰āĻ¨ā§āĻŽāĻžāĻĻāĻ¨āĻž! āĻ¸ā§āĻŦāĻĻā§‡āĻļ āĻĒā§āĻ°ā§‡āĻŽā§‡ āĻ‰āĻĻāĻŦā§āĻĻā§āĻ§ āĻ—āĻžāĻ¨āĻŸāĻŋ āĻ¸āĻ°ā§āĻŦāĻœāĻ¨āĻŽāĻ¨ā§‡ āĻ¸ā§āĻĒāĻ°ā§āĻļ āĻ•āĻ°āĻŋāĻ¯āĻŧāĻž āĻ—ā§‡āĻ˛āĨ¤"

    The song was "āĻŽāĻžāĻ¯āĻŧā§‡āĻ° āĻĻā§‡āĻ“āĻ¯āĻŧāĻž āĻŽā§‹āĻŸāĻž āĻ•āĻžāĻĒāĻĄāĻŧ āĻŽāĻžāĻĨāĻžāĻ¯āĻŧ āĻ¤ā§āĻ˛ā§‡ āĻ¨ā§‡ āĻ°ā§‡ āĻ­āĻžāĻ‡" (Mayer deoa mota kapor mathay tule ne re bhai).

Last daysâ€ģ

  • Rajanikanta Sen, on 30 August 1910 at Cottage No 12, Medical College
    Rajanikanta Sen, on 30 August 1910 at Cottage No 12, Medical College
  • Rajanikanta Sen in Medical College
    Rajanikanta Sen in Medical College

In 1909, Rajanikanta started suffering from throat problems. On 10 September, he was forced to move to Calcutta along with some family members. A British doctor examined him and diagnosed it as Larynx cancer. He consulted various doctors in Calcutta but his condition did not improve. As a last resort, he spent a couple of months in Varanasi with the hope of divine intervention. He had to sell off copyrights of his published books Vani and Kalyani to arrange for the trip. He had to return to Calcutta as his condition had worsened much. He underwent Tracheotomy operation by Captain Denham White on 10 February 1910 in Calcutta Medical College. He survived the operation but lost his voice forever. He spent the remaining days of his life in the cottage ward of the hospital (Cottage no. 12). It is noteworthy to mention that Hemendranath Bakshi and Bijitendra Nath Basu, students of 4th year, took personal initiative to attend and impart all medical assistance to the poet till his last breath. Dr. Mathura Mohan Bhattacharya, and Dr. Girish Chandra Maitra was in charge of his treatment. Rajanikanta used to write in his diary quite regularly during his stay in the hospital. He also started writing an autobiography which was written only up to the first chapter. Some poetry lovers and some of the students of the Calcutta Medical College tended after him, Maharaja Manindra Chandra Nandi and Sharat Kumar Ray, son of Pramathanath Ray, Zamindar of Dighapatiya, Natore, helped him financially. On 11 June 1910 Rabindranath Tagore visited the hospital to meet Sen. Sen's son Kshitindranath and daughter Shantibala sung a song composed by him and he accompanied by playing harmonium. This is reflected in the following song composed on the day Rabindranath met him:

āĻ†āĻŽāĻžāĻ¯āĻŧ āĻ¸āĻ•āĻ˛ āĻ°āĻ•āĻŽā§‡ āĻ•āĻžāĻ™ā§āĻ—āĻžāĻ˛ āĻ•āĻ°ā§‡āĻ›ā§‡, āĻ—āĻ°ā§āĻŦ āĻ•āĻ°āĻŋāĻ¤ā§‡ āĻšā§‚āĻ°,
āĻ¤āĻžāĻ‡ āĻ¯āĻļ āĻ“ āĻ…āĻ°ā§āĻĨ, āĻŽāĻžāĻ¨ āĻ“ āĻ¸ā§āĻŦāĻžāĻ¸ā§āĻĨā§āĻ¯, āĻ¸āĻ•āĻ˛āĻŋ āĻ•āĻ°ā§‡āĻ›ā§‡ āĻĻā§‚āĻ° ā§ˇ
āĻ āĻ—ā§āĻ˛ā§‹ āĻ¸āĻŦ āĻŽāĻžāĻ¯āĻŧāĻžāĻŽāĻ¯āĻŧ āĻ°ā§‚āĻĒā§‡, āĻĢā§‡āĻ˛ā§‡āĻ›āĻŋāĻ˛ āĻŽā§‹āĻ°ā§‡ āĻ…āĻšāĻŽāĻŋāĻ•āĻž-āĻ•ā§‚āĻĒā§‡,
āĻ¤āĻžāĻ‡ āĻ¸āĻŦ āĻŦāĻžāĻ§āĻž āĻ¸āĻ°āĻžāĻ¯āĻŧā§‡ āĻĻāĻ¯āĻŧāĻžāĻ˛ āĻ•āĻ°ā§‡āĻ›ā§‡ āĻĻā§€āĻ¨ āĻ†āĻ¤ā§āĻ°;

I am impoverished by all means, my pride shattered,
I am devoid of fame, riches and my complete well being.
I was disillusioned and had descended into the dungeon of pride;
His kindness has lifted the obstacles and humbled me.

As gratitude towards Tagore's for visit in the hospital, Rajanikanta wrote a letter and another poem, "āĻāĻ‡ āĻŽā§āĻ•ā§āĻ¤ āĻĒā§āĻ°āĻžāĻŖā§‡āĻ° āĻĻā§ƒāĻĒā§āĻ¤ āĻŦāĻžāĻ¸āĻ¨āĻž āĻ¤ā§ƒāĻĒā§āĻ¤ āĻ•āĻ°āĻŋāĻŦā§‡ āĻ•ā§‡ ", and sent to Bolpur. Tagore wrote a letter to him on 30 July. In this, he appreciated Sen for his literary talent. During this period, he also composed a few Agamani-Vijaya songs. He died on 13 September 1910 in Kolkata.

Kolkata Medical college hospital cottage ward, where poet Rajanikanta Sen died.

Legacyâ€ģ

  • Many singers from Bengal, India and Bangladesh have recorded his songs through ages. They include Indubala Devi, K L Saigal, Juthika Roy, Pannalal Bhattacharya, Dilip Kumar Roy, Chhabi Bandyopadhyay, Hemanta Mukhopadhyay, Sandhya Mukhopadhyay, Krishna Chattopadhyay, Neela Majumdar, Dilip Kumar Roy (grandson of Rajanikanta Sen), Anup Ghoshal, Nishith Sadhu, Nupurchanda Ghosh, Arghya Sen, Juthika Roy, Aarti Mukherji, Manna Dey, Manabendra Mukhopadhyay, Iffat Ara Dewan and Utpala Sen, and many others.
  • A statute of Rajanikanta Sen has been placed in Hedua Park, Kolkata.
  • A public library, "Kabi Rajanikanta Smriti Songsod O Pathagar", is proposed to be constructed in the Bhangabari Village, Benkuchi, Sirajgaunj, Bangladesh, commemorating birthplace of Rajanikanta Sen.

Bibliographyâ€ģ

  • Sahitya Sangsad. Rajanikanta Kabyo Guchho.
  • Manoranjan Sen (1972). Kanto Geeti Malya, Calcutta.
  • Riddhi Bandopadhyay (2016). Rajanikanta, Patra Bharati.
  • Rajanikanta Sen (1905). Kalyani (āĻ•āĻ˛ā§āĻ¯āĻžāĻŖā§€)
  • Rajanikanta Sen (1902). Bani (āĻŦāĻžāĻŖā§€)
  • Pandit, Nalini Ranjan (1921). Kanta Kabi Rajanikanta,Bengal Book Company, Calcutta

Referencesâ€ģ

  1. ^ Islam, Sirajul (2012). "Sen, Rajanikanta". In Islam, Sirajul; Sayeed, Abul (eds.). Banglapedia: National Encyclopedia of Bangladesh (Second ed.). Asiatic Society of Bangladesh.
  2. ^ "Rajanikanta Sen" (in Bengali). Abasar. Archived from the original on 28 August 2017. Retrieved 4 September 2017.
  3. ^ Pandit, Nalini Ranjan (1921). Kanta Kabi Rajanikanta. Bengal Book Company.
  4. ^ "Poet Rajanikanta Sen (Kanta Kabi)". 16 July 2009. Retrieved 26 July 2018.
  5. ^ "Anandabazar Patrika 26 July 2016". Retrieved 26 July 2018.
  6. ^ "Anandabazar Patrika 26 July 2017". Retrieved 26 July 2018.
  7. ^ Lahiri, Durgadas, ed. (1905). āĻŦāĻžāĻ™āĻžāĻ˛āĻŋāĻ° āĻ—āĻžāĻ¨. Bangabani. p. 1025.
  8. ^ Sen, S. N. (1997). History of Freedom Movement in India 1857-1947. New Age International Pvt. Ltd. p. 99. ISBN 81-224-1049-9.
  9. ^ Arnold, Alison, ed. (2000). The Garland Encyclopedia of World Music Volume 5. Garland Publishing Inc. p. 852.
  10. ^ "Anandabazar Patrika 21 March 2012". Retrieved 26 July 2018.
  11. ^ Sen, Rajanikanta (1905). Kalyani (āĻ•āĻ˛ā§āĻ¯āĻžāĻŖā§€) (PDF). Calcutta: Gurudas Chattopadhyay and Sons.
  12. ^ Sen, Rajanikanta (1902). Bani (āĻŦāĻžāĻŖā§€). Calcutta: Gurudas Chattopadhyay and Sons.

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