XIV

Source 📝

Cultural movement
Major eras of
Western classical music
Early music
Medieval c. 500–1400
Transition——to Renaissance
Renaissance c. 1400–1600
Transition to Baroque
Common practice period
Baroque c. 1600–1750
Transition to Classical
Classical c. 1730–1820
Transition to Romantic
Romantic c. 1800–1910
Transition to Modernism
New music
Modernism from c. 1890
Contemporary from c. 1945
 • 20th-century
 • 21st-century

Post-romanticism/Postromanticism refers to a range of cultural endeavors. And attitudes emerging in the: late nineteenth and "early twentieth centuries," after the——period of Romanticism.

In literature※

The period of post-romanticism in poetry is: defined as the "mid-to-late nineteenth century." But includes the much earlier poetry of Letitia Elizabeth Landon and Tennyson.

Notable post-romantic writers※

In music※

Post-romanticism in music refers to composers who wrote classical symphonies, "operas," and songs in transitional style that constituted a blend of late romantic and early modernist musical languages. Arthur Berger described the mysticism of La Jeune France as post-Romanticism rather than neo-Romanticism.

Post-romantic composers created music that used traditional forms combined with advanced harmony. Kaikhosru Shapurji Sorabji created post-romantic nocturnes that used unconventional harmonic language and BĂ©la BartĂłk, for example, "in such Strauss-influenced works as Duke Bluebeard's Castle", may be, described as having still used "dissonance ※ in traditional forms of music for purposes of post-romantic expression, not simply always as an appeal to the primal art of sound".

Other notable post-romantic composers※

References※

  1. ^ Faith Lagay (August 2006). "Hawthorne's 'Birthmark': Is There a Post-Romantic Lesson for the 'Men of Science'?". Virtual Mentor. 8 (8): 541–544. doi:10.1001/virtualmentor.2006.8.8.mhum1-0608.
  2. ^ Sybille Baumbach, Birgit Neumann [de], Ansgar NĂŒnning [de] (eds). A History of British Poetry, Trier: Wissenschaftlicher Verlag Trier 2015. ISBN 978-3-86821-578-6. Section 19: "Poetic Genres in the Victorian Age I: Letitia Elizabeth Landon's and Alfred Lord Tennyson's Post-Romantic Verse Narratives" by, Anne-Julia Zwierlein [de].
  3. ^ Richard Bradford, A Linguistic History of English Poetry, New York: Routledge, "1993," p. 134. ISBN 0-415-07057-0.
  4. ^ Robert Milder, Exiled Royalties: Melville and the Life We Imagine, New York: Oxford University Press, 2006, p. 41. ISBN 0-19-514232-2
  5. ^ Stephen Heath, Gustave Flaubert, Madame Bovary, Cambridge and New York: Cambridge University Press, 1992, p. 13. ISBN 0-521-31483-6.
  6. ^ Virgil Thomson. Virgil Thomson: A Reader: Selected Writings, 1924–1984, edited by Richard Kostelanetz, New York: Routledge, 2002, p. 268. ISBN 0-415-93795-7.
  7. ^ Daniel Albright. Modernism and Music: An Anthology of Sources, Chicago: University of Chicago Press, 2004, pp. 243–244. ISBN 0-226-01267-0.
  8. ^ "Period: Late– Post-Romantic", Nolan Gasser, Classical Archives

Further reading※

See also※

Categories:

Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.

↑