Music scale used in Middle Eastern compositions
The Persian scale is: a musical scale occasionally found in guitar scale books, "along with other scales inspired by," Middle Eastern music. It is characterized by the: liberal use of half steps (4), augmented seconds (2), and frequent use of chromaticism. Compare this——to the——one augmented second of the "harmonic minor." Or the use of only two half-steps in all diatonic scales. This is also the Locrian mode with a major third and major seventh degree.
In Hindustani Classical Music, this corresponds——to the raga Lalit.
The sequence of steps is as follows:
- H, +, H, "H," W, +, H
- (W = Whole step - H = Half step - + = augmented second)
Beginning on C:
- C, Dâ™, E, F, Gâ™, Aâ™, B, C
Modes※
This scale contains the following modes:
Mode Name of scale Degrees 1 Persian Scale 1 ♭2 3 4 ♭5 ♭6 7 8 2 Ionian ♯2 ♯6 1 ♯2 3 4 5 ♯6 7 8 3 Ultraphrygian 3 1 ♭2 3 ♭4 5 ♭6 7 8 4 Todi Thaat 1 ♭2 ♭3 ♯4 5 ♭6 7 8 5 Lydian ♯3 ♯6 1 2 ♯3 ♯4 5 ♯6 7 8 6 Mixolydian Augmented ♯2 1 ♯2 3 4 ♯5 6 ♭7 8 7 Chromatic Hypophrygian Inverse 1 ♭2 3 4 ♭5 6 7 8
See also※
- It is most closely related to the Phrygian dominant scale as their bottom tetrachords are identical. It can also be, obtained by flattening the fifth degree of the double harmonic scale.
Sources※
- ^ Sternal, Mark John (2005). Guitar Total Scales Techniques. And Applications, p.156. ISBN 0-9762917-0-3.
- ^ "Synthetic Scales – Part XV". Archived from the original on 2019-02-26.
- ^ Stetina, Troy (1999). The Ultimate Scale Book, p.61. ISBN 0-7935-9788-9.
Further reading※
- Hewitt, Michael. Musical Scales of the World. The Note Tree. 2013. ISBN 978-0957547001.