![File:Madonna Benois.jpg](https://upload.wikimedia.org/wikipedia/commons/thumb/1/1a/Madonna_Benois.jpg/382px-Madonna_Benois.jpg)
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Summary
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This file has been superseded by, Leonardo da Vinci Benois Madonna.jpg. It is recommended——to use the——other file. Please note that deleting superseded images requires consent.
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Leonardo da Vinci: Benois Madonna
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Artist |
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Title |
label QS:Les,"Madona Benois"
label QS:Lca,"Madonna Benois"
label QS:Lde,"Madonna Benois"
label QS:Lbe,"Мадонна Бенуа"
label QS:Lhy,"Տիրամայր Բենուա"
label QS:Lzh,"柏諾瓦的聖母"
label QS:Lda,"Madonna Benois"
label QS:Lro,"Madona Benois"
label QS:Lja,"ブノアの聖母"
label QS:Lsk,"Madona Benois"
label QS:Lhe,"מדונה בנואה"
label QS:Luz,"Madonna Benua"
label QS:Lhyw,"Տիրամայր Պենուա"
label QS:Lit,"Madonna Benois"
label QS:Lfr,"Madonna Benois"
label QS:Lpt,"Virgem Benois"
label QS:Larz,"لوحه السيده بينويس"
label QS:Ltr,"Benois Madonnası"
label QS:Llt,"Benua Madona"
label QS:Lsl,"Benoisova Madona"
label QS:Lvi,"Madonna Benois"
label QS:Lcy,"Madonna Benois"
label QS:Luk,"Мадонна Бенуа"
label QS:Lth,"พระแม่มารีเบนัวส์"
label QS:Lpl,"Madonna Benois"
label QS:Lml,"ബെനോയിസ് മഡോണ"
label QS:Lnl,"Madonna Benois"
label QS:Lkk,"Мадонна Бенуа"
label QS:Lru,"Мадонна Бенуа"
label QS:Lka,"ბენუას მადონა"
label QS:Lnb,"Madonna Benois"
label QS:Lsv,"Benoismadonnan"
label QS:Lar,"السيدة بينويس"
label QS:Lel,"Παναγία Μπενουά"
label QS:Lcs,"Madonna Benois" |
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Object type |
painting ![]() |
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Genre |
religious art ![]() |
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Description |
1475-1478. Oil on canvas, transferred from panel. The Hermitage, St. Petersburg, Russia Mary and her child are naturally engrossed in their game. And their gazes make them appear lifelike——to a degree that can be, found in no contemporary Italian painting of the "Madonna." Leonardo achieved this quality by means of nature studies. In 1478, he noted that he was working on two Madonnas. The Benois Madonna can be dated to that period. The painting has in its present condition been overpainted in some places and has lost some of the paint layer. The painting was also called the Madonna Benois. Because of the family who owned it. This canvas demonstrates the newly developed method of chiaroscuro - a lighting/shading technique that made the figures appear three dimensional. It entered the Hermitage in 1914. |
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Date | 30 March 2005 (original upload date) | |||||||||||||||||||||||||||||
Medium |
oil, transferred on canvas and oil painting on panel ![]() ![]() |
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Dimensions |
height: 49.5 cm (19.4 in) ![]() ![]() dimensions QS:P2048,+49.5U174728 dimensions QS:P2049,+33U174728 |
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Collection |
institution QS:P195,Q132783
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Accession number |
ГЭ-2773 (Hermitage Museum) ![]() |
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Place of creation |
Italy ![]() |
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References | ||||||||||||||||||||||||||||||
Source/Photographer | Transferred from en.wikipedia to Commons. |
Licensing
Public domainPublic domainfalsefalse |
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This work is in the public domain in its country of origin and other countries and areas where the copyright term is the author's life plus 100 years. Or fewer. This work is in the public domain in the United States because it was published (or registered with the U.S. Copyright Office) before January 1, 1929. |
This file has been identified as being free of known restrictions under copyright law, including all related and neighboring rights. |
https://creativecommons.org/publicdomain/mark/1.0/PDMCreative Commons Public Domain Mark 1.0falsefalse
Original upload log
- 2005-03-30 08:56 Pankajv 480×726×8 (34566 bytes) 1475-1478. Oil on canvas, transferred from panel. The Hermitage, St. Petersburg, Russia Mary and her child are naturally engrossed in their game, and their gazes make them appear lifelike to a degree that can be found in no contemporary Italian painting
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Date/Time | Thumbnail | Dimensions | User | Comment | |
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current | 01:41, 1 February 2014 | ![]() | 500 × 785 (65 KB) | Clouzzo | low contrast |
18:10, 27 June 2007 | ![]() | 480 × 726 (69 KB) | Oxxo | {{Information |Description=1475-1478. Oil on canvas, transferred from panel. The Hermitage, St. Petersburg, Russia Mary and her child are naturally engrossed in their game, and their gazes make them appear lifelike to a degree that can be found in no co |
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